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Book Review: Raptor Red by Robert T. Bakker

August 28, 2014 Leave a comment

Silhouette of two dinosaurs against a sunset. The book's title "Raptor Red" is in gold letters.Summary:
Raptor Red is one of the utahraptors who’ve newly arrived in what will one day be the western United States.  Follow a year of her life as faces being both a predator and, as one of the smaller predator dinosaurs, prey.

Review:
I love dinosaurs. Who doesn’t?  When I saw that this book was written by a paleontologist, I immediately was intrigued.  Who better to tell a story about dinosaurs than someone who studies them extensively?  The book certainly presents a realistic view of dinosaurs based on science, but sometimes the story suffers as a result of the intense attention paid to science.

First I just want to say my absolute favorite part of the book is the beginning of each chapter.  Each chapter beginning has a small note in the corner about what month it is, but more importantly, it has a hilarious drawing of a dinosaur (or a few) along with a tongue-in-cheek chapter title.

A dinosaur who looks like he's dancing is above the words "raptor family values"

Look at that adorable dinosaur! Just look at him!

I wish that this ability to both present scientifically realistic dinosaurs and be humorous/cartoonish about them simultaneously had carried through to the writing.  The overarching story that the book tells is sound.  Raptor Red’s mate dies, and she reunites with her similarly widowed sister while simultaneously looking for a new mate.  (This is not a spoiler, it is well-established in the first chapter).  But the story on the sentence level is belabored by the author’s apparent need to couch everything in speculations.  For instance, instead of just saying Raptor Red stamped her foot angrily, he’ll say something like Raptor Red was probably angry because she stamped her foot, and we know that dinosaurs stamping their foot indicated impatience, and if we believe that higher-thinking animals can feel emotions, then it was probably anger she was feeling.  Passages like that really gum up the storytelling.  The story would have worked better if he had some disclaimer at the beginning regarding emotions in animals, literary license, etc…, and then just ran with putting emotions on the extremely well-researched animal behavior.

The book teaches the reader a lot about dinosaurs in the context of the story, but the storytelling manner makes the reader get bogged down and realize they’re learning, instead of enjoying a story and happening to get some knowledge about dinosaurs in the process.  The former makes for a tough read, in spite of enjoyable illustrations.

Overall, dinosaur enthusiasts will enjoy both the illustrations and the high level of science present in the story.  Some may be frustrated by the author’s insistence on not personifying the dinosaurs, in spite of telling a very emotional story of being widowed and finding a new mate.  Recommended primarily to those with a vested interest in reading everything dinosaur who won’t mind that the story sometimes suffers at the hands of science.

3 out of 5 stars

Source: PaperBackSwap

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Book Review: The Postmortal by Drew Magary (Bottom of TBR Pile Challenge)

August 23, 2014 Leave a comment

Green book cover with a grim reaper impaled on his own scythe.Summary:
John Farrell got The Cure before it was legal.  Three painful shots, and now he’ll never age, although he can still be killed by accidents, murder, and disease.  It doesn’t take long before public pressure forces governments to legalize The Cure, in spite of the concerns, sometimes expressed in the form of terrorist acts, of those who believe in natural aging.  Of course, nobody listens, because who wants to age?  But slowly the world starts to change in more ways than becoming increasingly overpopulated.  We’ve reassembled what happened when The Cure was legal through combining John’s blog entries with news articles from his time period, as a cautionary tale.

Review:
I actually bought this when it was released because it sounded so intriguing to me.  A futuristic epistolary novel looking at overpopulation is right up my alley.  Unfortunately, I got so busy that I didn’t have time to read it right away.  I was happy to be able to finally pick it up.  The book presents an interesting dystopia but the storytelling struggles increasingly throughout the book, falling flat at the end.

The book starts out incredibly strong.  Magary strikes the right balance of realistic personal blog entries with snippets of news, twitter/facebook feeds, etc… to tell the early story of The Cure.  The world building doesn’t suffer at all, with a clear near-future established, and John’s character is immediately easy to understand.  The years immediately after The Cure is legalized are similarly well-told, with Magary choosing interesting and realistic consequences to The Cure, including violent anti-Cure extremists, peaceful anti-Cure moderates, bohemian everlasting youth, those who build fortresses around themselves and their families, and even internet trolls who take their trolling out into real life.

The world slowly establishes to the point where it’s clearly too overpopulated, and various governments make various choices about how they’re going to deal with that, and John gets caught up in the control side of the US government’s choices.  It is here, midway through the book, where things stop being so well-written and thought out and stop working quite so well.

First, the parameters of The Cure seem clear early on in the book.  It appears that it cures not just aging but any illness that could be correlated to being the result of aging, such as heart disease.  It is clearly listed out that The Cure protects you from many things but not extreme things like AIDS or being smashed by a safe.  Later on in the book, though, those who have The Cure but have a real age of elderly start having diseases that tend to show up late in life, such as cancer and heart disease.  This shakiness of exactly what The Cure does is a real problem in the book’s world building.  The reader expects one set of parameters but then gets a different one.

Second, although early in the book Magary strikes a great balance of realistic blog entries, news articles, and twitter/facebook feeds, as the book continues on, this balance drops off, and the book reads more and more like a straight-forward first-person narration, with only the occasional news article.  This makes it harder to believe these are real blog entries, particularly as they get more and more unrealistically long as John becomes busier and does more dangerous tasks.

Similarly, as the world becomes more complex, some of the world building choices make less and less sense.  For instance, a certain country chooses to periodically blow up its cities with nuclear bombs in order to control its population. It’s hard to imagine any country dumping nuclear waste into itself just to control population.  Surely even just bombs with less environmental impact would be chosen.  Similarly, a certain type of violent gang becomes rampant across the US but their motivations or reasons for turning so violent and bloody are never examined.  Are they striving to be the only people left? Do they just enjoy causing chaos? Dehumanizing them makes it easy to other them, which in turn makes the dystopic future less frightening, as it’s only the crazy, monstrous people who form into violent gangs.  Some of these limits come from the fact that our main character, whose blog entries we’re reading, isn’t a particularly inquisitive person.  He tumbles along and doesn’t seem to care much about anything, particularly in the final portions of the book.  Yes, he is probably depressed, but even early on he never seems that interested in other viewpoints.  The rare two occasions where we get glimpses into something besides his day-to-day life are once at the behest of his job, and once because his son implores him to come to his church.  In other words, it takes extraordinary circumstances for John, our narrator, to investigate anything other than what is right in front of his face, which makes for a story that’s missing a lot of information about this dystopic future, particularly when we only get John’s perspective for hundreds of years.  The story would probably have been better served by analyzing multiple different people’s blogs.  Perhaps John’s, his son’s mother’s, his son’s, his partner’s at work, a troll’s, etc…. This would have given the same epistolary feel but also more information about the dystopic world and more depth.

Finally, the ending takes a sharp turn into manic pixie dream girl land, that I found incredibly frustrating.  John makes a sudden, completely inexplicable, unrealistic change in personality thanks to a manic pixie dream girl showing up (a female character who exists only to show up and show a depressed male character the meaning of life.  Full exploration of this trope).  Given the whole rest of the book, the ending was completely out of left field, and frankly felt lazy.  A much richer, deeper ending could have been written that went right into the depth and darkness of John’s soul, giving him no miraculous last-minute redemption.  Instead his character does a complete 180 and gives the reader an unexpected, and unearned, ending.

Given all of these complaints, why am I still giving the book three stars?  The world it sets up is awesome.  It’s a dystopia I want to visit again and again.  The first third of the book handles the futuristic, tech-savvy epistolary novel really well, and that’s hard to do.  Finally, most of my complaints have to do with the author not giving me enough, not taking things deep enough, dark enough, not living up to the writing in the first third of his own book.  It’s a sign of a good book to leave me wanting more, and that’s why I’m still happy I read it.  It’s a creative vision of a dystopic future that I hadn’t seen before, and I would love to see more books set in it.  Recommended to fans of dystopias who won’t mind a frustrating ending.

3 out of 5 stars

Source: Amazon

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Book Review: Lana’i of the Tiger by JoAnn Bassett (Series, #3)

August 19, 2014 Leave a comment

Orane and yellow hues depict the lagoon of an island.Summary:
Maui wedding planner, Pali Moon, wound up as a key witness against a drug ring, and now she’s been whisked into witness protection, sent to the small boring island of Lana’i, and right at the holidays no less!  The feds seem to be taking their sweet time getting the case to court, and Pali is bored out of her mind, used to the hustle and bustle of wedding planning.  When a small local bed and breakfast advertises looking for temporary help while they go to the main island to have their baby, it seems like the ideal situation.  But when a famous guest’s fiancee turns up dead, Pali finds herself right in the thick of things again.

Review:
I picked this mystery up when I saw it on sale (for free) in the kindle store, in spite of it being midseries.  The punny title made me think it was probably a cozy, and I know those series are totally fine to read out of order.  I was right in that I never felt lost in the story due to starting mid-series, but I wasn’t right about it being a cozy.  Pun-filled title aside, this is an easy-going mystery, ideal for a beach read, but missing the appendixes of add-ons such as recipes or patterns found in cozy mysteries

Pali is a three-dimensional character who jumps off the page, and the supporting characters, while not necessarily three-dimensional, each have enough different quirks and personalities that they are memorable.  That said, Pali may be three-dimensional but she’s sure not likable.  One example, she kisses someone on Lana’i, and then later finds out that her boyfriend may be cheating on her and flips out.  But wasn’t she just cheating by kissing someone else?  The hypocrisy left a really sour taste in my mouth for Pali.  Characters don’t have to be likable, but in light-hearted mysteries where we’re supposed to be rooting for the non-professional PI, it really helps for them to be.

The mystery was fairly good.  I certainly didn’t figure it out until right before the reveal, and the ultimate solution made sense.  This is all I really look for in a mystery.

The setting was probably the best part.  Bassett evokes (what I can only imagine is) the real feel of Hawaii.  Each island visited has its own feel, Hawaiian culture is solidly represented with things like islanders calling all the elderly women “aunty” and locals being able to talk their way onto a ferry for free.  What kept me reading the book was my desire to spend time in Hawaii, combined with a mystery I was interested in the solution to.

Overall, the rich Hawaiian setting and actually mysterious mystery make this a fun beach read.  The main character is three-dimensional but could rub some readers the wrong way.  Those looking for a traditional cozy should be forewarned that this book doesn’t come with any traditional cozy extras.  Recommended to those looking for a light mystery set in Hawaii.

3 out of 5 stars

Source: Amazon

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Previous Books in Series:
Maui Widow Waltz
Livin’ Lahaina Loca

 

Book Review: Nexus by Ramez Naam (Series, #1)

August 15, 2014 Leave a comment

Gray book cover.Summary:
Science is moving forward to and through transhumanism to posthumanism, and no society seems to quite know how to handle it.  China is using the tech in their armies, Thailand is interested in its use to enhance meditation and zen, and the US government banned many of the different treatments and drugs after they were used by cults to make cloned children into killing machines.  Kaden Lane knows about the potential dangers, but he and his lab partners are still invested in making their brain nanotechnology drug, Nexus, work.  It makes minds meld together, able to feel others’ suffering, and they think it will lead to world peace.  Samantha Cataranes was a victim of a transhumanist mind control cult as a child, now she fights on the side of the FBI putting a stop to any science deemed too dangerous.  When Samantha and Kaden meet, their worlds and worldviews start colliding.

Review:
I had honestly kind of forgotten what this book was about, beyond it being scifi, by the time I picked it up to read it.  I thus was able to experience most of it as a surprise.  It’s a book that’s a modern twist on cyberpunk with plenty of action to boot.

Jumping far enough ahead that some transhumanist elements already exist is a smart move.  It lets the book think forward further than the initial transhumanist elements that it’s generally easy to see the advantages of, like fully functional robotic hands, into the grayer areas with things like cloning and mind control and making soldiers who are super-soldiers.  This is a more interesting ethical dilemma, and the book doesn’t take very long to set up the world and get into it.

Nexus itself is a fascinating drug that combines nanotech and drugs.  It’s easy to see that the author knows his science and has extrapolated into a possible future with a lot of logic based on current science.  That’s part of what makes reading the book so fascinating and slightly frightening.  It feels like an actual possibility.

The world building is done smoothly, incorporating both in-plot mentions and newspaper clippings and internal briefings to establish what is going on in the greater world around Kaden and Samantha.

The characterizations are fairly strong.  Even if some of the secondary characters can seem two-dimensional, the primary characters definitely are not.  Seeing a woman as the world-wise, transhuman strong fighter, and the man as the physically weaker brains was a nice change of pace.  Additionally, the book embraces the existence of gray areas. “Bad guy” characters aren’t necessarily bad, and “good guys” aren’t necessarily good.  This characterization helps tell the nuanced gray area story of the overarching plot.

The beginning of the book was weaker than the middle and the end.  The first chapter that has a character testing out Nexus by using it to land sex with a hot woman almost made me stop reading the book entirely.  It felt like some pick-up artist douchebro was imagining a future where tech would make him irresistible to women.  Frankly, that whole first chapter still feels extremely out of place to me now.  It doesn’t fit into the rest of the presentation of the character throughout the book.  It feels like an entirely separate story altogether.  I would encourage potential readers to skim it, since it barely belongs, then get to the rest of the book.

After the first chapter, the next few chapters feel a bit overly rose-colored lenses at first.  Almost as if the author sees no gray areas and only the potential good in humans.  Thankfully, this is mostly the rose-colored lenses of a main character that quickly fall away for the more nuanced storytelling of the rest of the book.  But it did induce a few eye-rolls before I got further along.

The middle and end of the book look at human potential for both good and evil within the context of both science and Buddhism.  It’s fascinating stuff, and makes a lot of sense since quite a bit of modern psychiatry is working hand-in-hand with ideas from Buddhism, particularly about meditation.  This is where the more interesting insights occurred, and also where I felt I could embrace the book a bit more.

Each of us must walk our own ethical path. And together, men and women of ethics can curb the damage of those without. But for you…if you keep vital knowledge from others, then you are robbing them of their freedom, of their potential. If you keep knowledge to yourself, then the fault is not theirs, but yours. (loc 5597)

Overall, this cyberpunk scifi that mixes transhumanism and posthumanism with nanotechnology, fighting big governments, and Buddhism tells a fascinating tale full of gray areas that will appeal to scifi fans.  Some may be turned off by the first few chapters that lack the nuance and likeable and strong characterization of the rest of the book, but it’s worth it to skim through the first few chapters to get to the juicier middle and end.

4 out of 5 stars

Source: Netgalley

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Book Review: The Running Game by L. E. Fitzpatrick (Series, #1)

August 12, 2014 4 comments

Brightly colored buildingsSummary:
Rachel is a doctor in the slums outside of London.  It’s not a great place to live, but it’s safer than a lot of the other options available.  She’s also a Reacher with telepathic powers.  Since she was a young girl, she learned to hide her abilities and always know her exits so she could run at any time.  But when two brothers show up, one a wounded Reacher, and tell her a mobster sent them looking for her, she has to decide whether to run again or trust the brothers.

Review:
Near-future dystopias will never cease in their appeal to me, and so I was fairly quick to accept this one when I was choosing ARCs to read for 2014.  The book offers a grim dystopia but far less running than one would imagine from the title.

The book establishes the overall dreary setting of a dystopia fairly quickly.  Rachel’s work at the hospital and commuting home from it is dirty and grimy. Society is clearly barely functioning, a fact that is smoothly and clearly established.  It takes a bit more time to learn more about the over-arching world, and the fact that Rachel is a “Reacher,” a person with some form of telepathic powers.  For some reason, the government is seeking to eradicate all Reachers, whereas the church, which is illegal, views them as angels sent from above, metaphorically speaking.  It’s an interesting world but our view into it is quite narrow, so there’s a lot of questions left unanswered.

Rachel is a good, strong character who is well-rounded in spite of knowing little of her backstory.  The brothers, on the other hand, are kind of annoying and two-dimensional.  They and the general crime lords/corrupt cops feel much more cookie cutter than Rachel does.  In a way, they drag her down.  It’s hard to root for her when she chooses to cast in lots with this bunch.

Similarly, the plot focuses in on what feels more like a standard crime thriller plot, rather than a dystopian one.  It’s a good crime plot, but it’s not a dystopian one.  The title implies a much more dystopian style book, such as Rachel using her powers to outwit the government and start a new colony or something like that.  Instead it feels a bit more like an urban fantasy style crime plot that just so happens to be surrounded by society breaking down, somewhere out there.    I think marketing it as a running game, rather than as the crime mystery plot it really is hinders the book a bit.  Readers who would like an urban fantasy style futuristic crime novel might miss it, because it sounds so dystopian.  The title and summary give the vibe of a Logan’s Run or Maze Runner style book, when that’s not what it is.  What it is is a perfectly good futuristic crime novel, but that’s not what it sounds like.

Overall, this is a quick-moving tale of futuristic crime with a dash of telepathic powers and an easily imagined setting.  Fans of near future, fantasy, and crime will enjoy seeing the three intertwine.  Those looking for more of a scifi or dystopian focus should look elsewhere.

3 out of 5 stars

Source: kindle copy from author in exchange for my honest review

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Book Review: The Cormorant by Chuck Wendig (Series, #3)

August 9, 2014 2 comments

Woman wearing sunglasses peeking out over the top of them.Summary:
Miriam Black is on her own once again after sending her truck driver boyfriend to the curb.  She’s taken to periodically messing with fate by killing the killers she sees in her visions of the deaths of the people she touches.  When she gets an offer on Craigslist to read someone’s future death in Florida, it comes at a time when she can’t pass it up, as a recently homeless person.  She heads to Florida figuring she might also tackle the demon of her relationship with her mother. Two birds, one stone.  But Florida ends up being much more than a quick job and a quick visit.

Review:
I snatch up a new Miriam Black book the first chance I get because I so love the prose style of the books (I’m uncertain if Wendig’s other books read similarly, as I haven’t read any), and I also love Miriam as a character very much (I would definitely run the other way if I spotted her on the street at night).  This third entry in the series didn’t disappoint, although I periodically wondered if Miriam’s bad-assness would be sacrificed for character growth.

The urban fantasy world of Miriam Black continues to be slowly fleshed out in this book.  We meet a couple more characters with supernatural abilities, not exactly Miriam’s but similar in that they function in the mind.  We also start to understand what might cause such a thing to happen.  And how Wendig presents this information is beautifully crafted.  It is a part of the story, a wonderful example of showing not telling.

Miriam doesn’t just cause chaos and get away with it, and this book fairly clearly exists to show us that Miriam is not invincible, even if she may sometimes seem it in earlier books.  She’s a tough broad with a mental gift brutally acquired, and she’s trying to figure out how to function and do the right thing in this incredibly fucked up situation where she is battling unknown forces, particularly fate.

The plot forces Miriam to confront two bad specters from her past: an ex lover and her mother.  I was fine with confronting the ex lover, and how it went down made sense.  I was incredibly wary of her confrontations with her mother.  Her mother was established as a fundamentalist abusive ball of shit in the previous books, and I was deeply concerned that Wendig was going to try to either make it seem like it was all in Miriam’s head or offer redemption for her.  And the plot does sometimes dance on the edge of doing one or the other of these.  But the way Miriam reacts to her mother in their confrontations help keep it grounded and realistic that not all mothers are great people.  In one confrontation she tells her mother,

Don’t act surprised that I have this cyanide cocktail in my heart. Like they say on that old dumb-ass drug commercial: I learned it by watching you. (loc 1824)

On the other hand, an awful lot of the plot revolves around Miriam saving her mother from her untimely death at the hands of a kidnapper.  I just have a hard time believing, especially given the vitriol Miriam has felt for her mother this entire time, that she would actually care that much if her mother dies.  I get it that Miriam might very much not want the kidnapper to get away with it, because she hates him and he’s fucking with her, but I don’t think Miriam would actually get misty-eyed at the thought of her mother’s untimely demise.  It felt forced instead of being Miriam.  That said, the plot does manage to stick to its guns enough that Miriam comes out of the situation still seeming like her cyanide-filled self, so I can’t fault it too much for veering that close to the edge.

I would be amiss not to mention the fact that his book establishes the fact that Miriam is bisexual.  Of course, she refuses to use the term herself, and I’m fairly certain no one actually ever calls her bi.  Normally a bi character refusing to call herself bi would drive me batty, but Miriam refusing labels fits 100% into her character.  She doesn’t see the need to label who she fucks and other characters’ attempts to figure her out are met with disgust on her part but that’s how she feels about everything about herself.  Yes, I wish more functional non-cyanide cocktail hearted characters were bi, but I also am pretty darn happy that a character I enjoy so much is bi.  Plus, scenes of Miriam banging a woman were an unexpected utter delight.

The plot does a great job of being both a single book conflict and something that ultimately propels the overarching plot forward, which is exactly what one hopes for from a series book.

The writing style maintains its gritty sharpness that the series has enjoyed from the beginning.  Both the narration and the conversations are a pleasure to read.  Passages like those listed below are peppered throughout the book, accosting the reader with the knowledge that we are in Miriam’s world now.

Meetings are like black holes: they eat up the hours, they suck in the light, they gorge on his productivity. (loc 92)

I’m a certified bad-ass indestructible bitch. The sun tries to burn me, I’ll kick him in his fiery balls. I don’t need no stinking suntan lotion. (loc 2787)

Overall, this book brings most things readers have come to expect from a Miriam Black book.  A gritty female main character with hard-hitting prose and a plot with a touch of the fantastic and grotesque.  Some fans might be a bit disappointed by the direction Miriam’s relationship with her mother goes, but all readers will be pumped by the ending and eagerly anticipating the next entry.  Recommended that fans of the first two books pick this one asap.

4 out of 5 stars

Source: Gift

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Previous Books in Series:
Blackbirds, review
Mockingbird, review

Book Review: Tower of Glass by Robert Silverberg (Audiobook narrated by Stefan Rudnicki)

July 25, 2014 Leave a comment

Image of glass blocks against a blue skySummary:
Simeon Krug, creator of androids, has a new vision.  Earth is receiving a transmission from deep space, and he’s determined to answer it.  He’s building a tower in the Arctic tundra, a tall tower that reminds many of the Tower of Babel.  With this tower he will send a return transmission to whoever is sending the message to Earth.  He also has his androids building a spaceship, to be entirely manned by androids, to try to reach those sending the transmission.  However, the androids he designed that now outnumber and serve humans have other things on their minds.  They want to be recognized as equal to humans, their brothers of the womb.  While some seek this politically, others seek it spiritually, worshiping their creator Krug.

Review:
Robert Silverberg wrote one of my all-time favorite books (The World Inside), so I now have an informal goal to read most (if not all) of what he has written.  This one was, unfortunately, a miss for me, but at least the world he has created was fascinating to visit.  The book presents a fascinating possible future that is marred by the rampant misuse of the term android and the length of time spent on the “android” religion.

I loved the idea of this book, and I love books about ai/androids/robots.  I thus was horrified when within the first chapter we discover that the “androids” are, in fact, clones.  They’re not machines at all.  They are genetically engineered humans, created in vats, and whose genetic code is changed enough to give them plasticine skin so that humans can tell themselves apart from them.  I like the concept of GMO humans vs non-GMO humans.  I like the idea of the vat versus the womb.  I cannot, however, tolerate the fact that everyone calls these folks androids.  That is not what an android is! (Merriam-Webster definition of android).  It really put a sour note on the whole book for me, and the misnomer is never explained.  Did Krug just call them androids to make people think of them as robots when they actually aren’t?  If that’s the case, he himself would not think of them as androids.  But he does.  He calls them machines.  What scientist would genetically manipulate humans and then call the outcome machines?  It just makes no sense, and in a scifi book, it’s something I can’t look past.

The plot is a bit of a bait-and-switch.  The reader thinks it’s going to be about the tower, the possible aliens, etc…  In fact this is the backdrop to the story of the “androids” fighting to have their humanity recognized.  I liked that the book was ultimately not the Tower of Babel retelling I originally thought it was going to be, but potential readers might want to know that the “androids” and their fight for human rights are actually the focus of the book.

Readers should also be ready to have every minute detail of the “android” religion worshiping Krug outlined for them.  While that type of scifi book definitely has its audience, it might be different from the one expecting the tower story.  The one aspect of the telling of the “android” religion that I found incredibly annoying was how they recite their DNA strands as prayer.  Think of it as like a Catholic person saying the rosary.  Only instead of words, it’s series like “AAA-ABA-ACA-CCC-BBB-AAA,” and it goes on for a very long time.  Perhaps this is less annoying to read in print than to hear in an audiobook, but going on for such long stretches of time each time an “android” prays seems unnecessary.

The characters are all fairly well-rounded.  There is Krug, his son, a high-ranking “android,” Krug’s son’s “android” mistress, a couple of “android” politicians, and more.  There are enough characters to support the complex plot, and it’s fairly easy to get to know all of them.  The “androids” are also given the same amount of characterization as the humans.

The audiobook narrator was somewhere between pleasant and unpleasant to listen to.  He has a very deep voice that doesn’t fluctuate much for various characters or narration.  It works really well for Krug but not so great for the female characters.  If the narrator’s female voices were better and if he emoted more for emotional scenes, his narration would be more enjoyable.  Between this fact and the reading of the DNA mentioned earlier, I definitely recommend picking up the print over the audiobook version.

Overall, the book presents an interesting world of GMO humans worshiping their creator and seeking freedom while he is entirely focused on the project of communicating with the stars.  The misuse of the term “android” throughout the book will likely bother most scifi readers.  Some readers may find some aspects of the “android” religion a bit dull.  Recommended to scifi readers more interested in the presentation of future religions than in contacting deep space or hard science.

3 out of 5 stars

Source: Audible

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