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Book Review: My Big Fat Demon Slayer Wedding by Angie Fox (Series, #5)

July 24, 2014 Leave a comment

Woman in short wedding dress and black boots holds a sword. A dog in a bow tie is nearby.Summary:
Lizzie Brown, once preschool teacher turned demon slayer, is extremely excited to be marrying her true love, Dimitri Kallinikos, who just so happens to also be a magical shape-changing griffin.  And she’s also fine with letting her adoptive mother run the whole show, even though her mother wants to make the wedding into a week-long event.  She’s not so ok with having to tell her mother about being a demon slayer, though. Or about integrating her mother’s posh southern lady lifestyle with her recently discovered blood-related grandmother’s biker witch gang.  She’s pleasantly surprised that her mother found a goth-style mansion to rent for the wedding.  Maybe the magical and the non-magical can integrate fairly well, after all.  But then it becomes evident that someone in the wedding is trying to kill her.  Plus, they find demonic images around the property…..

Review:
This remains one of my most enjoyed urban fantasy series.  The world Fox has created is bright, witty, imaginative, and a real pleasure to visit, even though sometimes the main character can rub me the wrong way (she’s a bit too straight-laced for me sometimes).  Urban fantasy books can either keep the main character perpetually single or have her get married.  If they choose to get married, the wedding book winds up with a lot on its plate.  It’s hard to integrate the world of urban fantasy with the wedding scene a lot of readers enjoy reading about.  Fox achieves this integration eloquently, presenting an intriguing urban fantasy mystery, the clash of urban fantasy magical folks and real world expectations, and manages to show the wedding is about the marriage, not the party.

My main gripe with the previous book was Dimitri and Lizzie’s relationship.  Primarily that they don’t appreciate what they have, and how annoying that is.  I think the events of the previous book really snapped them out of it, because here, Lizzie and Dimitri have taken their relationship to another level.  They have a trust in and intimacy with one another that manages to withstand some pretty tough tests, and is a pleasure to read about.  It’s easy to see that this is a couple that is ready for a marriage.  It’s a healthy relationship that’s rare to see in urban fantasy.  At this point in the series, I can appreciate that Dimitri and Lizzie aren’t perfect in the earlier books.  Relationships change and grow with time, and Fox demonstrates that beautifully.  Of course, it’s still more fun to read about a happy couple than one bickering with each other over minor things.  But those hiccups in the relationship in earlier books helps make it (and the marriage) seem more real.

Similarly, Lizzie has grown with the series.  Where at first she’s annoyingly straight-laced, now she is not just starting to break out of that but is enjoying breaking out of it.  Seeing her adoptive mother pushes this issue to the forefront.  Lizzie is finally coming into her own, and she, and her loving mother, have to confront that.

[Lizzie's mother] paused, straightened her already squared shoulders. “Is this type of style…” she waved a hand over me, “appealing to you? You look like a hooligan.” I let out a sigh. “Try biker.” (page 16)

Whereas this confrontation between Lizzie and her mother could have led to the mother looking like a bad guy, Fox leaves room for Lizzie’s mom to be different from her but still a good person and a loving parent.  They butt heads over different opinions, just as real-life parents and adult children do, but they both strive to work through them and love each other for who they are.  It’s nice to see how eloquently Fox handles that relationship, particularly with so many other plot issues going on at the same time.

The plot is a combination of wedding events and demon problems.  Both ultimately intertwine in a scene that I’m sure is part of many bride’s nightmares.  Only it really happens because this is urban fantasy.  How Fox wrote the plots to get to that point is enjoyable, makes sense, and works splendidly.  The climax perfectly demonstrates how to integrate urban fantasy and real life situations.  Plus, I did not come even close to guessing the ending, which is a big deal to me as a reader.

The wit and sex scenes both stay at the highly enjoyable level that has been present throughout the series.  Dimitri and Lizzie are hot because they are so hot for and comfortable with each other.  The humor is a combination of slapstick and tongue-in-cheek dry humor that fits the world perfectly.  I actually laughed aloud quite a few times while reading the book.

Overall, this is an excellent entry in this urban fantasy series.  It tackles the wedding of the main character with a joyful gusto that leaves the reader full of wedding happiness and perhaps breathing a sigh of relief that no matter what may go wrong at their wedding, it couldn’t possibly be as bad as what can go wrong at an urban fantasy wedding.  Highly recommended to fans of the series.  You won’t be disappointed in Lizzie’s wedding, and you’ll be left eager to see her marriage.

5 out of 5 stars

Source: Gift

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Previous Books in Series:
The Accidental Demon Slayer, review
The Dangerous Book for Demon Slayers, review
A Tale of Two Demon Slayers, review
The Last of the Demon Slayers, review

Book Review: One Death at a Time by Thomas M. Hewlett (Series, #1)

June 26, 2014 6 comments

Man in a hat standing next to a Europeanish buildingSummary:
Jack Strayhorn is a private eye and a member of Alcoholic’s Anonymous.  Only, he’s not an alcoholic, he’s one of the vampires who meet in a secret vampire group that exists under the umbrella of AA to learn how to control their urges and feed on humans without killing them.  He’s just returned to LA, his death site that he hasn’t been back to since he had to run in 1948 after becoming a vampire.  When his current missing person case shows up dead next to a Fae politician, Jack gets dragged into a mixed-up underworld of Faes, werewolves, drugs, and a group of vampires determined to rule the world.

Review:
This is one of the twelve indie books I accepted to be reviewed on my blog in 2014 (complete list).  I was immediately intrigued by the summary, due to its delightful urban fantasy/paranormal take on AA.  The book delivers exactly what it promises, spiced with a noir writing style.

Jack Strayhorn is the perfect paranormal version of the noir-style hardboiled detective.  He’s got a biting, snarky wit, a handsome presence, a sharp mind, and is a bit distant and mysterious.  It’s just in this case he’s distant and mysterious because he’s a vampire.  Making the private eye a vampire makes his character unique in noir, and, similarly, making the vampire a private eye with his focus primarily on crime solving and not paranormal politics gives the urban fantasy vampire a unique twist.  Jack is presented as a complex character, one who we could not possibly get to know fully in just the first entry in the series.  It’s easy to see how he will manage to carry the proposed 12 entries in the series.

Supporting Jack is a wide range of characters who accurately portray the diversity in a large town like LA, as well as the diversity one expects in a paranormal world.  The characters are multiple races and classes.  Whereas some urban fantasy books slowly reveal the presence of more and more paranormal races throughout the series, this book starts out with quite a few, and that is a nice change of pace.  Most urban fantasy readers expect there to be more than just vampires, and the book meets the urban fantasy reader where they’re at.  Even though the book has a large cast, the secondary characters never blend together.  They are easily remembered, and the diversity probably helps with that.

I like the idea of vampires having an AA-like group, but I’m still not sure how I feel about this group existing as some secret under the umbrella of AA itself.  The book even goes so far as to say the the founder of AA was a vampire himself, and used the human illness of alcoholism as a cover for the vampire group.  I like and appreciate vampirism as a disease that some people just mysteriously have at birth as an analogy for alcoholism, but I feel that having it present in the same group as the real life AA groups dampens the realness of actual AA, weakening the analogy instead of strengthening it.  I’ve seen books before have paranormal people get together in AA-style groups (zombies anonymous springs to mind), and in real life AA has spinoffs such as Narcotics Anonymous and Overeaters Anonymous.  Prior to reading the book I thought maybe something might be added by having the vampires be a secret organization under AA, but after reading the book, I don’t think it did.  I think the analogy would have been stronger if vampires spotted the similarities of their genetic vampirism with alcoholism and formed a “vampires anonymous” group, inspired by AA.  Something about vampires creating AA themselves as a cover hits a bit of a sour note and weakens the analogy.

The plot is complex, with just enough twists and surprises.  There were parts of the ending that I was unable to predict.  The plot contained within the book was wrapped up sufficiently, and the overarching plot intending to cover the whole series was well-established and filled me with the desire to keep reading.  Unfortunately, the second book isn’t out yet, so I will just have to wait!

Overall, this is a delightful mix of urban fantasy and noir and is a strong first entry for a new series.  Some readers might dislike the paranormal take on Alcoholic’s Anonymous found within the book, but it is secondary to the mystery/noir plot and easy to gloss over if necessary.  Recommended to urban fantasy readers looking to venture into noir or vice versa, as well as anyone who enjoys both urban fantasy and noir.

4 out of 5 stars

Source: kindle copy from author in exchange for my honest review

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Book Review: Hang Wire by Adam Christopher

June 10, 2014 Leave a comment

A red figure hangs like a puppet from red wires on a black background.Summary:
Ever since his birthday party when a fortune cookie exploded in his face, professional blogger of all things San Francisco, Ted Hall, has been passing out, sleeping 12 hours, and waking up exhausted.  It’s disconcerting, especially since there’s a serial killer on the loose.

The circus is in town, and the highwire workers are frustrated with the star of the act, who never rehearses and periodically disappears.  And no one understands why the manager isn’t reporting their missing highwire wire to the authorities, especially since the serial killer is stringing up his victims with a strong, thin wire that sounds an awful lot like a highwire wire.

Bob the beach-living, ballroom-dancing attraction, used to be the god Kanaloa, but the immortals have abandoned humans to their own devices, and he’s not supposed to interfere.  But he just may be the key to all the mysteries occurring in San Francisco.

Review:
I picked this up because it sounded like an urban fantasy serial killer mystery, which is just my speed.  Unfortunately, I found a book with a discombobulated world and plot that builds confusion rather than tension.

If my summary above seems disjointed and confusing that’s because that’s precisely what this book is.  Multiple different extremely odd plots are going on that ultimately do have some relation to each other, but the relation takes far too long to establish or understand.  The book starts with a flashback to the San Francisco earthquake of 1906 and introduces us to Bob/Kanaloa.  It then jumps forward to the completely dull Ted and the exploding fortune cookie.  It then jumps backward in time again to an entirely different character, who is tied to the circus, eventually.  It takes quite a while to find out what his relation is.  These three disparate storylines that seems to have no relation to each other continue throughout the book.  Bob/Kanaloa’s journey from immortal god to just immortal beach bum would be an interesting book.  But his plot keeps getting abandoned for the other two plots, so all tension and interest is lost.  Similarly, the evil circus organizer would be interesting, but only if his plot was handled with more detail and finesse.  As it is, what he is doing and why he is evil is just confusing, not interesting.  Ted’s plot would not be interesting, even on its own with more detail, because Ted is a two-dimensional, boring character.

Beyond the three disjointed, confusing plots, nothing in this story is ever fully fleshed-out.  There’s the vague idea that immortals were once on Earth and involved but now have left, but the details of the hows, whys, and how this has affected Bob/Kanaloa is left out.  We’re told the organizer of the circus is evil, but we never see his fall from grace.  We see him as a poor pioneer then later as an evil circus worker.  The interesting part of how he got sucked into this evil is left out.  Similarly, two people ultimately become human hosts for gods, but this is basically just announced and moved on from.  The intricacies of how this feels for the human and for the god, why it might be effective or not, etc… is all left out.  This is a bare-bones, confusing plot with little development, which ruins all possible tension.

Just as the plot is created in broad, sloppy strokes, so are the characters.  The closest any come to being three-dimensional is Bob/Kanaloa, which at least made the story readable.  But the rest are quickly laid out with broad character traits, and the story moves on.  There is, for instance, no depth to Ted’s relationship with his girlfriend.  We’re told she’s his girlfriend and he loves her, but we never truly see them together and functioning as a couple.  We get no flashbacks to times prior to the supernatural craziness to see them in a non-stressful situation.  Ted’s girlfriend is there as a plot device, nothing more.

I understand that this is an advanced copy and there will be another editing pass, etc…, however this is the most errors I have ever seen in an ARC.  It was rife with typos, use of the wrong word, and format issues.  Most egregious to me is the Britishisms used by American characters, such as “prawns” for “shrimp.”  ARCs should have already had at least one editing pass.  A reasonable amount of errors could slip through, but not this many.  There were errors on approximately every other page.  Hopefully the final version received a heavy final edit.  Check reviews of the final version to be certain.

This book reads like an extremely rough first draft that badly needs an editor to come through and fix, not just minor typos and grammar, but also plot and characters problems.  It could be an interesting story if it was more fleshed-out, with some storylines dropped in favor of a more solid main one, and with at least a couple of three-dimensional characters the reader can really relate to and root for.  As it stands, there are certain scenes that are well-written and engaging, but together they do not make an engaging, readable mystery.  I normally love books published by Angry Robot, so I found this particularly disappointing.

2 out of 5 stars

Source: NetGalley

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Series Review: Sookie Stackhouse / Southern Vampire Mysteries Series by Charlaine Harris

March 7, 2014 6 comments

Introduction:
I post series reviews after completing reading an entire series of books.  It gives me a chance to reflect on and analyze the series as a whole.  These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another.  Please be aware that series reviews necessarily contain some spoilers.

Man in cloak floating in the airSummary:
Sookie Stackhouse is a waitress in the rural town of Bon Temps, Louisiana, and she has a secret.  She’s a telepath, and it’s ostracized her from most of the people in her town.  But when vampires come out of the coffin, Sookie discovers that she can’t read their minds.  Mind reading made her dating life non-existent, for obvious reasons, but with vampires, Sookie can feel somewhat normal.  She soon starts to get pulled into their supernatural world, which contains more than they’re letting on to the mainstream public.

Review:
I first want to make it very clear that this series review is talking exclusively about the books and not the tv show inspired by them, True Blood.  There will be no spoilers for the show and no comparisons between the books and the show.  The show diverged very quickly from the books, so I think it’s fair to keep discussion of the two separate.  Moving right along!

coverclubdeadThis series takes the mystery series whodunit in the vein of Agatha Christie and drenches it in the supernatural and the American south, utilizing it to tell the overarching story of one woman choosing who she wants to be.  Perhaps because of the presence of some handsome leading men and the occasional sex scene, some mistake the series for a romance one.  But this series is truly not a romance.  Sookie’s romantic life (and sex life) is really secondary to the mysteries she solves and her slow discovery of who she is and who she wants to be.

The whodunit plots are generally murder mysteries.  The violence is moderate.  If you can handle a vampire biting someone or knowing someone is being beheaded without actually getting the gore described to you, you can handle the violence in this series.  The whodunit plots start out engaging but gradually become more repetitive and ho-hum, almost as if the author was running out of ideas for situations to place Sookie in.  Similarly, Sookie gets kidnapped and has to get saved by her supernatural friends kind of a lot.

coverdeadasadoornailThe setting of a supernatural American south is well imagined and evoked.  Both small town, rural lives and larger southern cities like Dallas and New Orleans are touched upon.  The American north is visited once, however, Sookie has a strong aversion to northern women that sours the representation of the north in the book.

The characters can sometimes feel like overwrought caricatures.  While some characters are given depth, most are not.  This is odd, since Sookie can read minds.  one would assume that she, as the first person narrator, would have a very three-dimensional view of those around her.  And yet she doesn’t.  Sookie likes to say that she’s for equality and seeing the good in everyone but she actually judges people very harshly.  For instance, she thinks it’s a shame that women who are not virgins wear white wedding dresses.

Sookie’s character does develop, albeit minimally, over the course of the books.  Characters should grow and change, coveralltogetherdeadparticularly over the course of 13 books, but unfortunately Sookie’s character changes to become less and less likable.  This is extra frustrating when the book is told from her perspective.  Instead of becoming more powerful and strong (emotionally, mentally) over the course of the series, Sookie becomes less and less able to handle the things going on around her.  She also continues to act shocked and appalled at the wars and violence she doesn’t just see, but participates in, in spite of it now being a normal part of her life.  Perhaps if she was just repeatedly a victim this mentality would make sense, but Sookie enacts violence on those around her and then acts disgusted at what the vampires/werewolves/etc… do, which comes off as hypocritical.  Either own your own actions and validate their necessity or stop doing them.  Don’t do certain violent actions then deny your involvement while simultaneously judging others for doing precisely what you just did.  The fact that Sookie slowly becomes this hypocritical person makes her less and less likable.  Similarly, she starts out the books with a firm belief in social justice and equality for supes but over the course of the series clearly comes to believe that humans are better than supes.  I don’t blame her for wanting a quiet life or for wanting to stay human or wanting to have babies but she could have Blonde woman in blue standing between two pale men in black capes.done all of those things without coming to view supes as inferior.  It is frustrating for the reader to have a main character in an almost cozy style mystery series gradually change into someone it is difficult to empathize with.

There is a consistent presence of GLBTQ characters, albeit mostly in secondary roles, throughout the series.  Homophobia is depicted in an extremely negative light since only the bad guys ever exhibit it.  Unfortunately, there is an instance of bi erasure in the book.  One of the characters is identified as gay but everyone also acknowledges that he periodically sleeps with women.  Even the character himself calls himself gay, so this isn’t just a case of the author writing a realistic amount of the realities of bi erasure into the book.

The sex in the book is not well-written.  It is just awkward, cringe-inducing, and laughable most of the time.  But the sex scenes aren’t very often, and they do fit in with the rest of the book.  Just don’t go to this series looking to get really turned Cartoon drawing of a blonde woman in a green dress upside down with burning paper near her.on.

This sounds like a lot of criticism for the series but some of these things, such as the campy, two-dimensional characters, are part of what makes the series enjoyable.  It’s kitschy, not to be taken too seriously.  It’s a series to come to and read precisely to laugh and roll your eyes.  To be utterly bemused at the sheer number of supernatural creatures and the ridiculousness of how they organize themselves.  To sigh in frustration at Sookie as she gets kidnapped yet again or is oblivious yet again to who the murderer is.  It’s a series that’s candy for those who enjoy camp and not too much violence with a touch of the supernatural in their mysteries.

3.5 out of 5 stars

A blonde woman stands among flowers and tomatoes with the sun either setting or rising behind her.Source: Amazon, PaperBackSwap, and Audible

Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review
Dead Ever After, review

Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)

March 5, 2014 5 comments

A blonde woman stands among flowers and tomatoes with the sun either setting or rising behind her.Summary:
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma.  On top of this, someone is out to frame Sookie for murder, and they just might succeed.  Sookie even gets arrested and must be bailed out of prison.  Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.

Review:
You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood.  The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life.  Whether or not that’s the story readers wanted to hear, it is the story that gets told.

It becomes abundantly clear early in this book that Sookie has had it with the supernatural world.  At least, with pure supes.  She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires.  Anyone who she feels has no humanity, she is done with.  As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans.  Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world.  I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced.  That part of Sookie’s character arc makes me sad.  She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change.  It’s sad.  But, it is an actual character arc, and it makes sense within who Sookie is as a character.  Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world.  But it is a well-written character arc that makes sense.

The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense.  The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia.  Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.

The boyfriend situation.  Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written.  The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me.  Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much.  Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.

One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about.  I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had.  In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does.  Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view.  It reads odd, not ominous.

The audiobook narrator, Johanna Parker, took an odd turn with this book.  Her voice reads as an old woman periodically, which doesn’t suit who Sookie is.  I was disappointed, after her very good narration of books 12 and 11.

Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her.  Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for.  However, this book series has always been about Sookie.  It is told in her voice and is about her life.  Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told.  Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.

4 out of 5 stars

Source: Audible

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Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review

Book Review: Deadlocked by Charlaine Harris (Series, #12) (Audiobook narrated by Johanna Parker)

March 4, 2014 2 comments

Cartoon drawing of a blonde woman in a triangle of light coming from a small object.

Summary:
Sookie now has to deal with the fall-out of her, Eric, and Pam’s successful plot to kill Victor.  And that means entertaining the vampire King of Louisiana.  The very first party they host for the King ends with a dead half-shifter girl on the lawn.  Meanwhile, Sookie finds out just why Eric has been seeming distant lately, and it might be too much for them to overcome.  On top of all this, Sookie has to keep track of and protect the fairie present given to her grandmother, the cluviel dor.

Review:
The penultimate book in the Sookie Stackhouse series has a lot of big reveals, as one would expect.  The big reveals at the heart of Sookie’s overarching story make sense and are well-played, although the central mystery of this entry feels a bit ho-hum.

The cluviel dor felt a bit like a deus ex machina from the instant the concept was introduced in book 11.  To a certain extent, a powerful magical object that grants one wish will always feel like a deus ex machina, no matter how it is ultimately used.  However, of the many options for the use of the wish, I think that how Sooie ultimately uses it is the least like a deus ex machina that it could be.  The world is not torn asunder. The events of prior books aren’t canceled out.  The instant in which she uses it makes sense, feels real, and is understandable.  It reveals a plot point that may irritate some readers, particularly big fans of Eric, but it’s not a development that doesn’t fit in with the characters and world.  Meaning that the cluviel dor is not used as a love spell or to undo the existence of vampires or some such nonsense.  Those nervous about what would happen with it should rest easy and continue reading the series.  You won’t have the rug pulled out from under you.

The central mystery feels kind of repetitive.  There’s a dead body, and everyone must figure out what happened.  Similarly, Sookie continues to refuse to learn anything from the multiple supernatural situations she has found herself in.  She continues to make incredibly dumb mistakes that make it hard to root for her.

The depiction of the vampires, fairies, and werewolves continues on an ever more negative spiral.  The good supes are few and far between, whereas humanity is depicted as something to strive for.  For instance, having mercy on someone is seen as having humanity, as opposed to just having mercy.  One of the things I liked at the beginning of the series was the ambiguity of the supes.  Having Sookie feel increasingly negative toward them all is a bit sad.

That said, the book definitely moves the plot forward in a logical way.  Many loose ends are addressed and answers given.  Plus there is at least one big final question left for the last book in the series.

Overall, if you’ve stuck with the series this far, you should definitely keep reading.  The penultimate book answers some question and continues to flesh out the version of Bon Temps in Harris’s mind.

4 out of 5 stars

Source: Audible

Buy It

Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review

Book Review: Dead Reckoning by Charlaine Harris (Series, #11) (Audiobook narrated by Johanna Parker)

February 26, 2014 3 comments

Cartoon drawing of a blonde woman in a green dress upside down with burning paper near her.Summary:
When Merlotte’s is firebombed, no one is sure if it’s because the shifters just came out and folks are angry that Sam is one or if it’s a more personal vendetta.  As if that wasn’t bad enough, Eric’s vampire boss, Victor, has just opened a new human bar that’s stealing business from Merlotte’s.  Sookie knows it’s a direct jab against her, as Eric’s wife.  And Victor isn’t just stealing business. He’s punishing Eric via Pam, preventing Pam from turning her dying lover.  Eric, Pam, and Sookie all know that Victor has got to go, and with the plotting going on, Sookie can’t be bothered to think too much about the firebombing.

Review:
This time it took me less than a year to return to Sookie, instead of the three year break I took last time.  I’ve read so much of the 13 book series; I just have to know how it ends.  The Sookie Stackhouse series is utterly ridiculous.  But it’s a comfortable kind of ridiculous that’s just right to ease into while you’re cooking dinner.  That’s why, when I listened to a sample and realized how perfect the audiobook narrator is for the books, I decided to listen to the end of the series.  The warmth and ease of Sookie Stackhouse is perfect for combating cabin fever.  This entry in the series has a bit more happen than in book 10, although the resolution to the big mystery feels repetitive.

Most of the ideas and plots in this book will ring familiar to any reader of the series.  There might be hate against a newly out group (the shifters this time), some vampire higher ups are causing problems and need to be dealt with, and Sookie is just shocked that someone wants her dead.  How she continues to be shocked by everyone hating her or wanting her out of the picture is beyond me, but Sookie isn’t exactly smart.  Because many of the plots feel like previously visited territory, in spite of the fact that they’re well-written and active, they’re a bit boring.  Something truly new really needs to happen to Sookie.  The one plot point that is new, of course, is her interactions with the fae that were left behind when Niall closed off fairy.  That plot was very interesting, and I’m glad it’s in the book, as it kept my interest up.

There really isn’t very much sex at this point.  I honestly felt like that was a mercy since listening to someone read the awkward sex scene out loud was almost too cringe-inducing to bear.  We all know Harris’s sex scenes are a bit….awkward.  There’s not much new to say about that except that there’s really only one, and that feels like a good thing.  Although Sookie does mention rather frequently Eric’s prowess in bed.

Sookie continues to be a self-righteous hypocrite, but someone close to her finally (finally!) calls her out on it.  It happens toward the end of the book, after a lot of build-up of Sookie continuing to think she’s better than everyone else and has more morals than the rest of the supe world.  The call-out is written with a perfect amount of ambiguity in the narration, leaving it up to the reader to decide if they agree with Sookie that she’s just holding onto her human morals or with the one who calls her out that she’s committing the acts and refusing to admit this is who she is.  I’m not sure what camp Harris falls into, but I appreciated the finesse with which she leaves it open-ended for the reader to form their own opinion of Sookie.

The audiobook narrator, Johanna Parker, does a wonderful job.  She truly makes Sookie and Bon Temps her own.  There is a clear delineation in my head when listening to her that this is the book Bon Temps, not the True Blood one.  She and Anna Paquin (who plays Sookie on tv) each bring their own interpretation, and they are both good and well-suited to the book and tv series, respectively.

Overall, this entry in the series is a bit repetitive.  Two of the three main plots are similar versions of things we have seen before.  However, Sookie finally gets called out for her hypocrisy and self-righteousness, and the third plot is new enough to keep interest up.  Fans of the series will be a bit disappointed but will still find it a moderately interesting, quick read.

3.5 out of 5 stars

Source: Audible

Buy It

Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review

Series Review: The Georgina Kincaid Series by Richelle Mead

January 9, 2014 Leave a comment

Introduction:
I post series reviews after completing reading an entire series of books.  It gives me a chance to reflect on and analyze the series as a whole.  These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another.  Please be aware that series reviews necessarily contain some spoilers.

Red-headed woman in front of Seattle skylineSummary:
Georgina Kincaid loves her job managing a bookstore in Seattle.  She’s not so sure about her job as Seattle’s only succubus, but she doesn’t have much choice about that one since she sold her soul to Hell back when she was mortal in ancient Greece.  After hundreds of years of being a succubus, Georgina has started to feel guilty about stealing the life energy of good-souled men.  So she’s switched to stealing the less high-quality life energy of bad-souled men.  Her demon boss, Jerome, is none too happy about this.  Things take an even more interesting turn when famous author, Seth Mortensen, moves to Seattle and chooses Georgina’s bookstore as his base of operations.  Georgina quickly finds herself falling for him.  Her first time falling for a man since WWII.  Nobody seems to like the idea of Georgina dating Seth, except for Seth, but Georgina doesn’t have much time to wonder why as supernatural life carries on.  Everything from an incubus plot to attempts at overthrowing her demonic boss (by another demon of course) to an escaped ancient supernatural power who feeds on dreams come Georgina’s way.  Georgina starts to notice that Seattle seems to be facing more than the normal level of supernatural upheaval, and she starts to wonder why.

Woman in push-up vest against red background.Review:
A tightly told, sexy, humorous series featuring an overarching plot that ties into all of the smaller plots and lends the series as a whole a greater meaning makes this urban fantasy stand out above the rest.

The series ostensibly focuses on the bad guys of the supernatural world, not something that is seen very often in urban fantasy.  Yes, Georgina is a succubus with a guilt complex, but she is still a succubus, and she still goes out and does her succubus thing.  She is not out trying to save the world.  She’s just trying to get by day by day in the role she has chosen for herself–fighting on the bad guy side of the battle.  But Mead does not let the series fall easily into clear good versus evil.  It soon becomes evident that good guys can be on the bad guy side and bad guys on the good guy side.  In most cases, one decision or the fault of birth decides where they land.  Just because someone is a vampire doesn’t mean he can’t desire to help out his friends.  Just because someone is an angel doesn’t mean they can’t make mistakes.  And the rules aren’t always fair and sometimes incomprehensible.  This gray complexity lends a lot of interesting notes to the series that otherwise wouldn’t be there, not least of Woman standing in front of electrical storm.which is the fact that the characters are able to be three-dimensional in this world Mead has created.

The characters, even the minor ones, are indeed three-dimensional.  They sometimes make stupid choices, big mistakes, and are annoying.  But they also make tough good choices, ones that aren’t easy but still happen.  They fall in genuine love.  They accidentally hurt each other but also sacrifice themselves for each other.  They worry about having a bad hair day.  They cry.  They have great sex and bad sex.  And they come to life in the reader’s mind.

The sex scenes, a key element of an urban fantasy series about a succubus, are never repetitive.  They are tantalizing and sexy, except for a few which are aiming to show that sex can be bad.  They range from the intense love making of a couple madly in love to a fun night out having sex in public at a public sex bar.  And many positions and types of sex are covered as well.  The sex scenes walk the line between barely mentioned and extremely explicit quite well.  They are fully fleshed-out sex scenes without being extremely explicit.

Read-headed pale woman standing seductively against a purplish-red backdrop. The book title and author name are over her.The overarching plot, though, is what really made me fall in love with the series.  Georgina became a succubus in exchange for her husband and all those who knew her forgetting all about her.  She cheated on her husband, and she felt so much guilt at both the act and the pain it caused that she felt this was the best solution.  At first, she goes into being a succubus with enthusiasm but over time her feelings change.  Her hurt starts to heal, and she begins to see the good side of both humanity and life.  She is in the throes of this complex situation of wanting to be good but having already signed a contract for the bad side of the fight when Seth shows up and everything starts going haywire in the supernatural world in Seattle.  Eventually, she finds out that Seth is the reincarnation of her original husband, Kiriakos.  He lived his life thinking he must have a soul mate but never meeting her, so when he died he struck a bargain to get more chances at meeting her.  He has a limited number of reincarnations (10, I believe), that will occur in the same vicinity as his soul mate.  His soul mate is Georgina, and she has met him multiple times throughout her life as as a succubus.  This reincarnation as Seth is his last chance.  From here, the story takes a hard look at what makes people soul mates, that being soul mates doesn’t mean no mistakes will be made, that love Redheaded woman in a sexy leather top standing in front of fog.and a relationship aren’t an easy cakewalk and sacrifices and compromises must be made.  It delves into the idea of redemption, and that being a good person and having a good life aren’t just something innate in you.  It’s a beautiful love story, spanning many centuries, that takes a hard look at what makes relationships work.  It also ties in nicely with the questions established earlier about good versus evil and if being good or evil is a one-time choice or something that happens over time.  I never would have guessed that I could end up feeling so positively about a love story that begins with betrayal but that’s where Mead uses the supernatural with great skill.  The story works because the betrayal is treated so seriously.  Georgina’s betrayal of her husband (and soul mate) leads them both to centuries of pain.  It is not something that can be just brushed off.  It’s a mistake she made, yes, but just because it was a mistake doesn’t mean she can just say sorry and make it all right.  On that note, Kiriakos/Seth also made mistakes when they were first together that he also has to work through.  They both learn through time that you can’t just sit back and let the marriage happen.  You have to pay attention, invest, and work at growing together.

Woman in white and wearing a cross standing in front of a foggy sky.The fun setting, tantalizing sex scenes, three-dimensional characters, and unexpected yet beautiful overarching plot about the nature of good and evil and love and redemption makes this series a stunner in urban fantasy.  Highly recommended to urban fantasy and romance fans alike, although those who are irritated at the concept of soul mates might not enjoy it as much.

4.5 out of 5 stars

Source: PaperBackSwap, library, gift, Audible

Books in Series:
Succubus Blues, review, 4 stars
Succubus On Top, review, 4 stars
Succubus Dreams, review, 5 stars
Succubus Heat, review, 4 stars
Succubus Shadows, review, 5 stars
Succubus Revealed, review, 5 stars

Book Review: Succubus Revealed by Richelle Mead (Series, #6) (Audiobook narrated by Elisabeth Rodgers)

January 8, 2014 1 comment

Woman in white and wearing a cross standing in front of a foggy sky.Summary:
Seattle’s succubus, Georgina Kincaid, is incredibly happy to be back together with her previously ex boyfriend, Seth Mortensen.  But getting back together with him came at the price of hurting his once-fiancee and having to leave her previously loved position managing the bookstore.  It’s all worth it to be with Seth, though.  But then a transfer notice comes in, sending her to her dream job in Las Vegas.  It’d be a dream come true, except Seth can’t come with her because his sister-in-law has cancer.  Georgina starts to wonder just why so many elements seem to keep coming together to try to drive her and Seth apart.

Review:
A breathtaking conclusion to the series that reveals not just Georgina’s entire life story but also that the series itself is more than originally meets the eye.

It was obvious in the prior book that a much larger overarching plot was going to be revealed in the final entry in the series.  Mead reveals this plot through an artful combination of the characters investigating, flashbacks, and a court case.  Normally, I’m not a fan of courtroom drama, but Mead pulls it off beautifully, really playing up the supernatural elements and keeping it moving along at a rapid pace.  While I had pretty much already figured out what the big reveal would be, how it was revealed and how the characters reacted was unexpected and complex.

A running theme in the series has been that the characters are not perfect and life doesn’t hand out easy answers or resolutions.  The resolutions to the various problems and questions in the plot and in Georgina’s life follow these guidelines as well.  It is not a simple reveal that places perfection into Georgina’s life.  She has to address her issues, how she has dealt with herself and other people, and she must face the supernatural community as well.  It was refreshing to see characters in an urban fantasy have to work toward resolution instead of having it handed to them by virtue of just being lucky or having the right powers.

The romance is in full-swing in this book.  Georgina is much more focused on her love life than on being on a succubus.  Thus, most of the sex scenes we get are hot in an entirely romantic way.  Once again, though, I was more focused on the quality of the plot and characters than on the quality of the sex scenes.  The story of Georgina overpowered the juicy bits, and that’s a sign of a great urban fantasy.

The book brings to light the questions of good versus evil, love and what it takes to make a relationship work, soul mates, and the qualities of humanity.  And it does it with humor, brightly written characters, sexy sex scenes, and creative settings.  An ending to the series as satisfying as a rich dessert that will leave the reader wanting to re-read the series as soon as possible.

5 out of 5 stars

Source: Audible

Buy It

Previous Books in Series:
Succubus Blues, review
Succubus On Top, review
Succubus Dreams, review
Succubus Heat, review
Succubus Shadows, review

Book Review: Succubus Shadows by Richelle Mead (Series, #5) (Audiobook narrated by Elisabeth Rodgers)

January 7, 2014 4 comments

Redheaded woman in a sexy leather top standing in front of fog.Summary:
Seattle’s succubus, Georgina Kincaid, cannot believe she has been roped into helping plan her ex-boyfriend’s wedding.  It’s enough to make anyone depressed.  But she can’t afford to be depressed, because every time she starts to feel down, a mysterious force tries to lure her away to what must be a dangerous place.  Georgina is fed up with all of these mysterious attacks on Seattle.  It just doesn’t make sense.  What is making them target Seattle? And seem to be maybe targeting her?

Review:
An excellent penultimate series book that both reveals more of the main character’s past and drives the plot forward.

At first it seems that this book is returning to familiar territory.  Weird, dreamy things are happening to Georgina.  She and Seth are broken up.  Her demon boss is irritated at her.  But then Georgina gets kidnapped and forced to relive her past and spy on the present in a dreamlike state, and everything changes.  We learn tons more about Georgina’s long succubus life.  We also see what happens when Georgina is the one who needs saving for once.  It’s an unexpected plot change that plays perfectly in this penultimate book in the series.

In spite of Georgina being kidnapped, there are still plenty of sex scenes via reliving her succubus past.  They are well-written and titillating but sex is really not the focus of the book.  It says a lot for the plot and how much I came to care for the characters that I barely noticed the relative lack of exciting sex in this entry.

The characters continue to grow and change in a well-rounded, three-dimensional way.  Mead handles the multiple characters adeptly and with soul.  Similarly, the audiobook narrator continues to read Georgina perfectly.

This entry in the series moves the series firmly from urban fantasy about a sexy succubus to a romance spanning multiple centuries and a greater battle of good versus evil and humans versus the supernatural.  It is stunningly satisfying and all-engrossing.  I immediately reached for the final book in the series.  Fans will not be disappointed.

5 out of 5 stars

Source: Audible

Buy It

Previous Books in Series:
Succubus Blues, review
Succubus On Top, review
Succubus Dreams, review
Succubus Heat, review

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