Book Review: The Walking Dead: The Fall of the Governor: Part One by Robert Kirkman and Jay Bonansinga (Series, #3) (Audiobook narrated by Fred Berman)
In the aftermath of her rebellion attempt against The Governor, Lilly Caul is starting to see him as a man who does what it takes to protect the citizens of Woodbury. So when strangers in riot gear and prison suits underneath show up at Woodbury, she believes The Governor that they’re out to get their supplies and that the woman, unprovoked, bit his ear. But not everyone believes The Governor, and The Governor starts to think he can use the doubters to his advantage.
This non-graphic novel series telling the backstory of the big bad villain of the graphic novel Walking Dead series started off incredibly strong but, unfortunately, each new entry in the series gets worse and worse. Instead of lending new light to the backstory of The Governor and Woodbury, this entry retells scenes readers of the graphic novel have already seen, simply from The Governor and other residents of Woodbury’s perspectives.
While I understand that some things readers of the graphic novel series already know may need to be briefly mentioned again for those who are only reading the print books, a sizable portion of this book features scenes already told once in the graphic novels. Many of these scenes were disturbing enough in the graphic novels, such as the scene in which Michonne is repeatedly raped and beaten by The Governor. Retelling them from the perspective of The Governor just felt unnecessary and was frankly difficult to listen to. It would have been better to have left out showing that scene again and instead showed the, well-told and well-done scene of The Governor after her rapes Michonne back in his apartment where he tries to rationalize his behavior. This lends new insight into the character without forcing the readers to, essentially, re-read.
The characterization of Lilly Caul continued to bother me. First she hates The Governor and leads a rebellion, then turns right around and becomes loyal to him? What? This makes zero sense and is never fleshed out enough to make sense. Similarly, how she handles one particular plot development feels like lazy, cliched writing of women, which bothered me.
Speaking of writing of women, while I understand that the third person narration is supposed to simultaneously be from an evil guy’s perspective, how the narrator talked about Michonne really bothered me. We are constantly reminded that she is black. She is never just “the woman” she is always “the black woman” or “the dark woman.” Her dreadlocks are mentioned constantly. Whereas white characters, Latino characters, and male characters are referred to once with descriptors about how they look, her looks are constantly described. I understand looks need to be described periodically, but this is far too heavy-handed and in such a way that it feels like the narrator feels it necessary to constantly remind the reader that she is “other” and “different from us.” Worse, she is also referred to as a “creature,” etc…, particularly during her rape scenes. I never felt Michonne was mishandled in the graphic novels. She’s a bad-ass woman who just happens to be black in the graphic novels. Here, though, the descriptions of her feel like they are exoticized, which feels entirely wrong for a book in which we mostly just see her being raped. She is depicted so animalistically, it made my stomach turn. Even when she is among her friends, the narrator feels it necessary to constantly refer to her otherness.
So what’s done well in this book? The scenes where we finally learn how the double-cross happens and see it plotted and carried out from the bad guys’ perspective is chilling and enlightening. It’s also really nice to get to actually see the scene where Michonne beats the crap out of The Governor. If other scenes had been left out, the characterization of Lilly Caul and descriptions of Michonne handled better, and the whole book tightened up (and probably part two included here), it could have been a strong book.
Overall, fans of the series will be disappointed by the repetition of scenes they’ve already seen and the overall shortness and lack of new information in this book. Some may be bothered both by how Michonne is presented in this book, far differently from how she is in the graphic novel series, as well as by seeing some of the rapes from The Governor’s perspective. Recommended to hard-core fans who feel they need to complete reading the companion series to the graphic novels.
2 out of 5 stars
Simeon Krug, creator of androids, has a new vision. Earth is receiving a transmission from deep space, and he’s determined to answer it. He’s building a tower in the Arctic tundra, a tall tower that reminds many of the Tower of Babel. With this tower he will send a return transmission to whoever is sending the message to Earth. He also has his androids building a spaceship, to be entirely manned by androids, to try to reach those sending the transmission. However, the androids he designed that now outnumber and serve humans have other things on their minds. They want to be recognized as equal to humans, their brothers of the womb. While some seek this politically, others seek it spiritually, worshiping their creator Krug.
Robert Silverberg wrote one of my all-time favorite books (The World Inside), so I now have an informal goal to read most (if not all) of what he has written. This one was, unfortunately, a miss for me, but at least the world he has created was fascinating to visit. The book presents a fascinating possible future that is marred by the rampant misuse of the term android and the length of time spent on the “android” religion.
I loved the idea of this book, and I love books about ai/androids/robots. I thus was horrified when within the first chapter we discover that the “androids” are, in fact, clones. They’re not machines at all. They are genetically engineered humans, created in vats, and whose genetic code is changed enough to give them plasticine skin so that humans can tell themselves apart from them. I like the concept of GMO humans vs non-GMO humans. I like the idea of the vat versus the womb. I cannot, however, tolerate the fact that everyone calls these folks androids. That is not what an android is! (Merriam-Webster definition of android). It really put a sour note on the whole book for me, and the misnomer is never explained. Did Krug just call them androids to make people think of them as robots when they actually aren’t? If that’s the case, he himself would not think of them as androids. But he does. He calls them machines. What scientist would genetically manipulate humans and then call the outcome machines? It just makes no sense, and in a scifi book, it’s something I can’t look past.
The plot is a bit of a bait-and-switch. The reader thinks it’s going to be about the tower, the possible aliens, etc… In fact this is the backdrop to the story of the “androids” fighting to have their humanity recognized. I liked that the book was ultimately not the Tower of Babel retelling I originally thought it was going to be, but potential readers might want to know that the “androids” and their fight for human rights are actually the focus of the book.
Readers should also be ready to have every minute detail of the “android” religion worshiping Krug outlined for them. While that type of scifi book definitely has its audience, it might be different from the one expecting the tower story. The one aspect of the telling of the “android” religion that I found incredibly annoying was how they recite their DNA strands as prayer. Think of it as like a Catholic person saying the rosary. Only instead of words, it’s series like “AAA-ABA-ACA-CCC-BBB-AAA,” and it goes on for a very long time. Perhaps this is less annoying to read in print than to hear in an audiobook, but going on for such long stretches of time each time an “android” prays seems unnecessary.
The characters are all fairly well-rounded. There is Krug, his son, a high-ranking “android,” Krug’s son’s “android” mistress, a couple of “android” politicians, and more. There are enough characters to support the complex plot, and it’s fairly easy to get to know all of them. The “androids” are also given the same amount of characterization as the humans.
The audiobook narrator was somewhere between pleasant and unpleasant to listen to. He has a very deep voice that doesn’t fluctuate much for various characters or narration. It works really well for Krug but not so great for the female characters. If the narrator’s female voices were better and if he emoted more for emotional scenes, his narration would be more enjoyable. Between this fact and the reading of the DNA mentioned earlier, I definitely recommend picking up the print over the audiobook version.
Overall, the book presents an interesting world of GMO humans worshiping their creator and seeking freedom while he is entirely focused on the project of communicating with the stars. The misuse of the term “android” throughout the book will likely bother most scifi readers. Some readers may find some aspects of the “android” religion a bit dull. Recommended to scifi readers more interested in the presentation of future religions than in contacting deep space or hard science.
3 out of 5 stars
India Morgan Phelps, Imp to her friends, is sure that there were two different Eva Cannings who came into her life and changed her world. And one of them was a mermaid (or perhaps a siren?) and the other was a werewolf. But Imp’s ex-girlfriend, Abalyn, insists that no, there was only ever one Eva Canning, and she definitely wasn’t a mermaid or a werewolf. Dr. Ogilvy wants Imp to figure out for herself what actually happened. But that’s awfully hard when you have schizophrenia.
I’d heard that this book was a chilling mystery featuring GLBTQ characters and mental illness. When I discovered it on Audible with an appealing-sounding narrator, I knew what I was listening to next. This book is an engaging mystery that also eloquently captures the experience of having a mental illness that makes you question yourself and what you know while simultaneously giving a realistic glance into the queer community.
Imp is an unreliable first person narrator, and she fully admits this from the beginning. She calls herself a madwoman who was the daughter of a madwoman who was a daughter of a madwoman too. Mental illness runs in her family. She states that she will try not to lie, but it’s hard to know for sure when she’s lying. This is due to her schizophrenia. Imp is writing down the story of what she remembers happening in journal style on her typewriter because she is trying to figure out the mystery of what exactly happened for herself. The reader is just along for this ride. And it’s a haunting, terrifying ride. Not because of what Imp remembers happening with Eva Canning but because of being inside the mind of a person suffering from such a difficult mental illness. Experiencing what it is to not be able to trust your own memories, to not be sure what is real and is not real, is simultaneously terrifying and heart-breaking.
Imp’s schizophrenia, plus some comorbid anxiety and OCD, and how she experiences and deals with them, lead to some stunningly beautiful passages. This is particularly well seen in one portion of the book where she is more symptomatic than usual (for reasons which are spoilers, so I will leave them out):
All our thoughts are mustard seeds. Oh many days now. Many days. Many days of mustard seeds, India Phelps, daughter of madwomen, granddaughter, who doesn’t want to say a word and ergo can’t stop talking. Here is a sad sad tale, woebegone story of the girl who stopped for the two strangers who would not could not could not would not stop for me. She. She who is me. And I creep around the edges of my own life. Afraid to screw off the mayonnaise lid and spill the mustard seeds. (Part 2, loc 55:35)
The thing that’s great about the writing in the book is that it shows both the beauty and pain of mental illness. Imp’s brain is simultaneously beautiful for its artistic abilities and insight and a horrible burden in the ways that her mental illness tortures her and makes it difficult for her to live a “normal” life. This is something many people with mental illness experience but find it hard to express. It’s why many people with mental illness struggle with drug adherence. They like the ability to function in day-to-day society and pass as normal but they miss being who they are in their own minds. Kiernan eloquently demonstrates this struggle and shows the beauty and pain of mental illness.
Dr. Ogilvy and the pills she prescribes are my beeswax and the ropes that hold me fast to the main mast, just as my insanity has always been my siren. (Part 1, loc 4:08:48)
There is a lot of GLBTQ representation in the book, largely because Kiernan is clearly not just writing in a token queer character. Imp is a lesbian, and her world is the world of a real-to-life lesbian. She is not the only lesbian surrounded by straight people. People who are part of the queer community, in multiple different aspects, are a part of Imp’s life. Her girlfriend for part of the book is Abalyn, who is transwoman and has slept with both men and women both before and after her transition. She never identifies her sexuality in the book, but she states she now prefers women because the men tend to not be as interested in her now that she has had bottom surgery. The conversation where she talks about this with Imp is so realistic that I was stunned. I’m not sure I’ve ever seen a conversation about both transitioning and the complicated aspects of dating for trans people that was this realistic outside of a memoir. Eva Canning is bisexual. It’s difficult to talk about Eva Canning in-depth without spoilers, so, suffice to say, Eva is out as bisexual and she is also promiscuous. However, her promiscuity is not presented in a biphobic way. Bisexual people exist on the full spectrum from abstinent to monogamous to poly to promiscuous. What makes writing a bisexual character as promiscuous biphobic is whether the promiscuity is presented as the direct result of being bi, and Kiernan definitely does not write Eva this way. Kiernan handles all of the queer characters in a realistic way that supports their three-dimensionality, as well as prevents any GLBTQphobia.
The plot is a difficult one to follow, largely due to Imp’s schizophrenia and her attempts at figuring out exactly what happened. The convoluted plot works to both develop Imp’s character and bring out the mystery in the first two-thirds of the book. The final third, though, takes an odd turn. Imp is trying to figure out what she herself believes actually happened, and it becomes clear that what she ultimately believes happened will be a mix of reality and her schizophrenic visions. That’s not just acceptable, it’s beautiful. However, it’s hard to follow what exactly Imp chooses to believe. I started to lose the thread of what Imp believes happens right around the chapter where multiple long siren songs are recounted. It doesn’t feel like Imp is slowly figuring things out for herself and has made a story that gives her some stability in her life. Instead it feels like she is still too symptomatic to truly function. I never expected clear answers to the mystery but I did at least expect that it would be clear what Imp herself believes happened. The lack of this removed the gut-wrenching power found in the first two-thirds of the book.
The audiobook narration by Suzy Jackson is truly stellar. There are parts of Imp’s journal that must truly have been exceedingly difficult to turn into audio form, but Jackson makes them easy to understand in audio form and also keeps the flow of the story going. Her voice is perfect for Imp. She is not infantilized nor aged beyond her years. She sounds like the 20-something woman she is. I’m honestly not sure the story would have the same power reading it in print. Hearing Imp’s voice through Jackson was so incredibly moving.
Overall, this book takes the traditional mystery and changes it from something external to something internal. The mystery of what really happened exists due to Imp’s schizophrenia, which makes it a unique read for any mystery fan. Further, Imp’s mental illness is presented eloquently through her beautiful first-person narration, and multiple GLBTQ characters are present and written realistically. Recommended to mystery fans looking for something different, those seeking to understand what it is like to have a mental illness, and those looking to read a powerful book featuring GLBTQ characters whose queerness is just an aspect of who they are and not the entire point of the story.
4 out of 5 stars
Book Review: A Thousand Lives: The Untold Story of Hope, Deception, and Survival at Jonestown by Julia Scheeres (Audiobook narrated by Robin Miles)
On November 18, 1978, 918 people, mostly Americans, died on a commune named Jonestown and on a nearby airstrip in Guyana. The world came to know this event as that time that crazy cult committed mass suicide by drinking poisoned Kool-Aid. However, that belief is full of inaccuracies. Scheeres traces the origins of Jonestown, starting with its leader, Jim Jones, and his Christian church in Indiana, tracing its development into the People’s Temple in California, and then into Jonestown in Guyana. Multiple members’ life stories are traced as well, including information from their family members who, perplexed, watched their families give everything over to Jones.
I have a fascination with cults and groupthink. In spite of not being born until the 1980s, I definitely was always vaguely aware of this cult that committed suicide in the 70s, always commentated on with great disdain. I had previously read Julia Scheeres’ memoir, Jesus Land, which I found to be beautifully and thoughtfully written (review). When I saw that she had written an investigative work of nonfiction, making the truth about Jonestown more accessible, I knew I had to read it.
Scheeres possesses a great talent at presenting people and events as they are with understanding for common humanity but also disdain for atrocious acts. Scheeres excels at never turning a person into a monster, but rather exposing monstrous acts and asking how things became so messed up that something like that could happen. Scheeres clearly did painstaking research for this book, reading through the FBI’s extensive archives on the People’s Temple and Jim Jones, interviewing survivors, and interviewing family members of the deceased, not to mention reading members’ journals. The facts are presented in an engaging, storytelling, slightly non-linear way, which works excellently at drawing the reader in. The book starts on the boat to Guyana, then flashes back to the origins of Jim Jones. The members of People’s Temple are carefully presented as the well-rounded people they truly were with hopes and dreams and who made some mistakes. They are not ever presented as just a bunch of crazies. Even Jones is allowed a time as a preacher passionate for social justice before he turned into the control freak, whose paranoid delusions were exacerbated by drug addiction. Scheeres takes an event that it is far too easy to put the stamp of crazy on, and humanizes it, drawing out the gray areas. And this is all done while telling an engaging, well-written, factual story.
There are an incredible number of facts in this book, and the reader learns them while hardly even realizing it, since this work of nonfiction is so readable. Among the things I never knew, I found out that the People’s Temple originally was a Christian church that was heavily socialist and then slowly turned into its own religion as Jones pulled away from the Bible, eventually declaring himself god. When Jones was in California, he was heavily involved in politics, sponsoring people such as Harvey Milk for office, and breaking voting laws by sending his church en masse to vote in districts they didn’t live in. Jones enacted weekly corporate punishment of individual members in front of all the other members. He was bisexual, having sex with both male and female members of the People’s Temple. He became obsessed with the idea of suicide to make a statement and routinely badgered the higher members of the People’s Temple into accepting suicide if he ordered it. He even tricked them multiple times into thinking that he had given them poisoned drinks, just to see who would obey and drink it. The members came to Jonestown in Guyana expecting a utopia, since Jones had lied to them, and instead got a struggling farm on the brink of disaster, being run by a man increasingly paranoid and delusional and ever more addicted to drugs. Once members were in Jonestown, they were not allowed to leave. And many wanted to. Last, but most important, the mass suicide was not a mass suicide. It was a murder-suicide. Some of the members committed suicide willingly, but others, including over 300 children, were force-fed or injected with the poison. Those who drank it drank it mixed with Flavor-Aid, a generic knock-off brand of Kool-Aid. It astounds me how much the facts of these events from as recent as 1978 are now misremembered in the collective consciousness, especially considering the fact that documentation such as the Jonestown death tape are available for free in the public archive.
Overall, this book takes a misremembered event in recent history and exposes the facts in an incredibly readable work of nonfiction. Scheeres presents the people who died in Jonestown with empathy and understanding, seeking to tell their whole life story, rather than one moment. A fascinating look at a horrible event, and a moving reminder to never give too much power or faith to one person, and how very easy it is for groupthink to take over. Highly recommended.
5 out of 5 stars
Nobody quite knows what is wrong with Area X, but everyone has their speculations. It’s been cut off from the rest of the world for decades, and the government has kept precisely what is going on rather hush-hush. The government periodically sends teams in to investigate it. The narrator, a biologist, is part of Team 12. The team is entirely made up of women, based on a supposition that women are less badly effected in Area X than men. The biologist’s husband was part of Team 11. She is curious to know what happened to him but also entirely intrigued by the tunnel her team finds. She insists on calling it a tower. Through her mandatory journal, we slowly discover what may or may not be in Area X.
I picked this book up since it sounded like it would be a mix of scifi and Lovecraft style fantasy, plus it features an entirely female investigative group. Although it is an extremely interesting premise, the actual book does drag a bit.
The biologist narrates in a highly analytical way that is true to her character but also doesn’t lend itself to the building of very much tension. Since the biologist calmly narrates everything, the reader stays calm. She also, frankly, isn’t an interesting person due to this same tendency to view everything through an analytical lens. Imagine if Star Trek was 100% written by a Vulcan, and you can begin to imagine the level of ho-hum.
This narration style could have really worked if the language used was stunningly beautiful. While I think that’s probably what the author was going for, it largely missed for me. While the language was good, there was also nothing particularly special about it. I marked three passages that I enjoyed throughout the whole book. Looking back, two were extremely similar. The passage I found to be the most beautiful is:
That’s how the madness of the world tries to colonize you. From the outside in. Forcing you to live in its reality. (time 3:15:47)
While pretty, it’s not pretty enough to make up for the rather dull narrator.
Since the story has four women to work with, it probably would have worked better to bounce around between their four narratives. This also would have given the bonus of seeing the mysteries of Area X through multiple sets of eyes, enhancing the tension the mystery, while also giving the opportunity for a variety of narration styles.
The mystery of Area X is definitely intriguing and different from other Lovecraft style fantasies. In particular, the passage describing the terror of seeing the thing that cannot be described was particularly well-written. However, the passages describing the horror in Area X are mostly toward the end of the book and are not as well spaced-out as they could have been to help build the tension. The end of the book is definitely the most interesting and managed to heighten my interest enough that I was curious about the next book in the series.
Overall, this is a unique take on the idea of a scientific investigation of an area invaded by Lovecraft style, fantastical creatures. It features an entirely female investigative crew but unfortunately limits itself to only the narration of one overly analytical and dull biologist. Recommended to big fans of Lovecraft/fantastical invasion style fantasies. To those newly interested in the genre, I recommend checking out Bad Glass by Richard E. Gropp first (review), as it is a more universally appealing take on the genre.
3 out of 5 stars
Book Review: The Many-Colored Land by Julian May (Series, #1) (Audiobook narrated by Bernadette Dunne)
In the future, the universe exists in a peace-loving era that allows many alien races and humans to co-exist. People are expected to act within the confines of acceptability and are offered various humane treatment options to help if their nature or nurture sends them the wrong way. But some people don’t want to conform and would rather live in the wild, warrior-like days of old. When a scientist discovers time travel but only to the pliocene era, these people think they have found their solution. There’s only one catch. The time travel only works to the past. For decades the misfits step into the time travel vortex, not knowing what is on the other side. The government approves the solution, since it seems kind and no time paradoxes have occurred. When the newest group steps through, they will discover just what really waits on the other side of exile.
I became aware of this book thanks to a review by fellow book blogger, Resistance Is Futile. Imagine my surprise when going through my wishlist to check for audiobooks, I discovered a brand-new audiobook production of it featuring the audiobook superstar Bernadette Dunne. This is a creative, action-packed book that truly encompasses both scifi and fantasy in a beautiful way.
Since this is the first book of the series, it takes a bit to set the plot up and get to know the characters. People are sent through the time travel portal in groups, so we get to know everyone in one group prior to going through the time portal so we can follow them all after they go through it. May spends the perfect amount of time familiarizing the reader with the future world, as well as the people who are choosing to leave it. Some readers might be sad to see the imaginative future world left behind for the pliocene era, but it quickly becomes evident that the pliocene is just as richly imagined, albeit different. The pliocene era is not as straight-forward as the exiles believed, and new problems quickly arise for them. It’s not the lawless paradise they were envisioning, and while dealing with the realities of it in an action-packed manner, they also must deal with themselves. Now that they realize there is no true escape to solitude or an imagined perfect past, they must address those aspects of themselves that led them to exile in the first place. These deeper emotional issues are the perfect balance to the other, action-oriented plot. I did feel that the book ends a bit abruptly. However, it is part of a series and clearly the cliff-hanger is intentional. I prefer series entries that tell one complete smaller story within the larger, overarching plot, but this is still a well-done cliff-hanger.
The characters offer up a wide variety of experiences and ethnic and sexual backgrounds, representative of all of humanity fairly well. One of the lead characters is a butch lesbian, another is an elderly Polish-American male expert in the pliocene era, another a nun, another a frat boy style space captain. This high level of diversity doesn’t seem pushed or false due to the nature of the self-selection of exiles. It makes sense a wide variety of humans would choose to go, although the statistics presented in the book establish that more whites and Asians than Africans and more men than women choose to go. Some of the characters get more time to develop and be presented in a three-dimensional nature than others but enough characters are three-dimensional that the reader is able to become emotionally invested in the situation. My one complaint was in prominently featuring a nun in a futuristic scifi, yet again. Statistics show that less and less people are choosing to become nuns or priests. Given that this is set so far in the future with such a different culture, a religious leader of a new or currently rising religion would feel much more thoughtfully predictive of the future.
Most engaging to me is how the book mixes scifi and fantasy. Without giving too much away, the book offers a plausible scientific explanation for human myths of supernatural creatures such as fairies, elves, and shapeshifters. The presence of the inspirations for these myths give a delightful, old world fantastical feel to the story, even while May offers up scientific explanations for all of it. This is not a mix I have seen in much scifi or fantasy, and I was surprised at how much I enjoyed it.
Overall, this is a delightful new take on time-travel that incorporates some fantasy elements into the scifi. Readers looking just for futuristic hard scifi might be disappointed at how much of the book takes place in the ancient past, but those who enjoy scifi and fantasy will delight at the mixing of the two.
4 out of 5 stars
Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma. On top of this, someone is out to frame Sookie for murder, and they just might succeed. Sookie even gets arrested and must be bailed out of prison. Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.
You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood. The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life. Whether or not that’s the story readers wanted to hear, it is the story that gets told.
It becomes abundantly clear early in this book that Sookie has had it with the supernatural world. At least, with pure supes. She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires. Anyone who she feels has no humanity, she is done with. As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans. Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world. I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced. That part of Sookie’s character arc makes me sad. She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change. It’s sad. But, it is an actual character arc, and it makes sense within who Sookie is as a character. Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world. But it is a well-written character arc that makes sense.
The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense. The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia. Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.
The boyfriend situation. Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written. The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me. Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much. Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.
One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about. I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had. In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does. Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view. It reads odd, not ominous.
The audiobook narrator, Johanna Parker, took an odd turn with this book. Her voice reads as an old woman periodically, which doesn’t suit who Sookie is. I was disappointed, after her very good narration of books 12 and 11.
Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her. Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for. However, this book series has always been about Sookie. It is told in her voice and is about her life. Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told. Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.
4 out of 5 stars
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review