Miranda and her mother and brothers have barely survived the long winter that came right after the moon was knocked out of orbit by an asteroid, bringing an apocalypse. She’s been wondering for months what happened to her father and his pregnant new wife. She’s thrilled when they show up on the doorstep when her newborn half brother, but she’s not so sure about the three extra people they’ve brought with them — an adult man and a teenage boy and his little sister.
The third book in this series reverts back to the Miranda’s journal format of the first. While I appreciate bringing the diverse characters from the first two books in the series together, the use of Miranda’s journal exclusively in telling the story renders the tale a bit less interesting and strong than it could have been.
It should come as no surprise that a YA series featuring a girl in the first book and a boy in the second will bring the two together in the third. I must admit that although when I finished the first book I was very eager to read more about Miranda, when I finished the second I was intrigued at the idea of a series that saw the same apocalypse lived out in different places by different people throughout. That said, getting to know the extensive background of the love interest is appreciated and different but it is a bit jarring to go back to Miranda’s diary after getting to know Alex so thoroughly in the second book. The book could have been much more powerful if Miranda’s journals were interspersed with chapters from Alex’s perspective. Getting this perspective would have helped make their love seem more real, as opposed to just convenient. (Alex is the only teenage boy Miranda has seen in a year). Additionally, in spite of Miranda falling for Alex so fast, he mostly comes across as cold and overly religious in this book, whereas in his own book he was much more empathetic. Certainly the need for survival will make him come across stern, and we know that Alex has a tendency to say important things in Spanish, which Miranda cannot understand. Both of these facts means it would have worked much better to have alternating perspectives, rather than just Miranda’s.
The plot, with the exception of the instant love between Alex and Miranda, is good. It brings everyone into one place in a way that seems natural. The addition of new characters also breathes new life into Miranda’s situation. Plus, Pfeffer does a good job of forcing the family out of their stasis in the home, something that both makes logical sense (these people were not preppers, they are not equipped to stay in their home forever in the apocalypse) and also keeps the plot interesting (one can only read about people holed up in a house for so long). The plot developments also make more sense, scientifically, than in the previous books.
Religion is handled less smoothly here than in the previous two books. Everyone but Miranda’s mother and Miranda has church on Sunday (Protestant or Catholic), and Miranda doesn’t have enough of a reaction to or thoughts about this. She doesn’t really think about faith or spirituality. Church is just something some other people do. This is unrealistic. A teen who has just gone through a disaster and sees her father suddenly take up faith would definitely at the very least have some questions. Given that Alex has a very strong faith and they are interested in each other, one would think they would have some conversations about religion that go beyond whether or not they can have sex before they get married, yet they don’t. The first two books sets a great stage to talk about faith in its many forms, as well as lack of faith, yet the book backs away from actually tackling this issue. If it had, it would have offered something truly thought-provoking in the read. Instead it’s a post-apocalyptic survivor romance. Not a bad thing but not what I was expecting based on the first two books.
Overall, this is an interesting next entry in the series that brings Miranda and Alex back to the readers and moves the plot forward. However, it dances around the issue of faith vs. lack of faith brought up in the first two books, eliminates Alex’s voice from the story, and suffers from some instant romance. Those already invested in the series will still enjoy seeing what happens to Alex and Miranda, although skimming for plot points is recommended.
3 out of 5 stars
Seventeen-year-old Alex Morales works hard with his eyes on a good college. He even works in a local pizza joint to pay for his own private Catholic school uniforms to help his Mami and Papi. Papi is in Puerto Rico for his mother’s funeral and Mami is working late when an asteroid strikes the moon and everything changes. New York City is struck by flooding and loss of infrastructure. Alex is left alone to care for his two younger sisters, Julie and Briana, and slowly he begins to think that maybe things will always be this bad. Maybe Mami and Papi will never come back, the moon will never look right again, and there will never be a world where he can go to college and not be left caring for his little sisters.
I inhaled the first book in this series, in spite of the scientific flaws (which I addressed in my review of the first book). Miranda’s journal ends so abruptly that I was eager to get to the next book right away. I was surprised, then, when the second book starts back before the moon is struck with an entirely different family in a different area of the country. This book shows Pfeffer’s abilities as a writer by showing the same apocalyptic event seen in the first book from the perspective of an entirely different family.
Miranda’s family is suburban-rural, agnostic/atheist humanist, blended (divorced parents with one remarried), and white. Alex’s family is urban (NYC), Latino, and devotedly Catholic. Both families are given room to have strengths and flaws, most of which have nothing to do with where they live, their ethnicities, or their religions (or lack of one). I honestly was startled to see Alex and his and his sisters’ strong faith treated with such respect in this book after Miranda’s lack of faith was treated with equal respect in the first. It’s easy, particularly in a book written as a journal, to mistake a character’s beliefs for an author’s, and Miranda, a teenage girl, has very strong beliefs. This book reminded me that those beliefs were just Miranda’s, just as Alex’s beliefs are just his, and it shows how well Pfeffer is able to write characters.
Some readers may find it odd and frustrating to go back in time to relive the apocalypse over again with different characters. I personally enjoyed it, because the world falling apart is one of the best parts of post-apocalyptic fiction for me. I also liked having the opportunity to see differences in how the apocalypse plays out based both on the location (suburban/rural versus urban) and the characters’ personalities and reactions. However, that said, I can see how this set-up of two vastly different sets of characters in books one and two could be off-putting to certain readers. Some religious readers may be turned off by the first book and Miranda’s staunch atheism. Those who read the first book and enjoy it for precisely that reason may similarly be turned off by the second book’s heavy Catholicism and faith. The diversity is a good thing but it also makes it hard to pinpoint an audience for the series. Those who are open to and accepting of other belief systems would ultimately be the best match but that’s a demographic that can sometimes be difficult to find or market to. However, if a reader is particularly looking for a diverse set of viewpoints of the apocalypse that is more than just characters’ appearances, this series will be a great match for them.
It should also be mentioned that this book is not a journal. It is told in third person, from Alex’s viewpoint, although the dates are still mentioned. It makes sense to do it this way, since Alex definitely does not come across as a character with the time or the inclination to keep a journal. It would have been interesting to view the apocalypse from the viewpoint of a boy who did keep a journal, however.
The plot makes sense and brings in enough danger without being overly ridiculous. It would have been nice to have maybe started the book just a bit earlier in the week to see more of Alex’s day-to-day life before the disaster. Instead, we learn about it through flashbacks, which makes it a bit harder to get to know him than it was to get to know Miranda.
Overall, this is a surprising and enjoyable second book in this post-apocalyptic series that lets readers relive the apocalypse from the first book over again with a different set of characters. This approach lends diversity to the series, as well as bringing in a greater variety of scenarios for those who enjoy the apocalypse process. Recommended to those looking for a diverse presentation of beliefs and how those impact how characters deal with an apocalypse.
4 out of 5 stars
Drumila, four-armed king of the daityas, seeks to take them above ground to escape their enemy the naagas, giant flame-breathing serpents. Meanwhile, Krishna (the highest-ranking god) sends his daughter, Nandini, to Earth in human form to weaken Drumila and keep him from crossing the barrier from Earth into the higher plains. Unfortunately, Nandini ends up liking Drumila a bit more than they bargained for.
I was excited to have a fantasy based in a non-European mythology submitted to me, and wow is this different from the typical European-based fantasy. In a good way. This is a dense, different fantasy with a strong learning curve unless the reader is already very familiar with Hinduism.
The basic story reads just like mythology. This has pros and cons. On the plus side, it feels quite fantastical. On the minus side, some of the plot points can be cringe-worthy (such as an unwanted kiss that could have turned into a rape if the female character hadn’t suddenly 180ed from zero interest to desire) and the characters can be a bit two-dimensional. This will bother some readers, but those who enjoy mythology, in spite of its shortcomings, will appreciate this read. Personally, I generally prefer if authors update and modernize their mythological rewritings a bit more, but not all readers feel that way.
The author is well-aware that Hindu mythology won’t be familiar to many Western readers, so he offers an extensive footnotes that are well hyperlinked in the ebook that explain both definitions of words and various aspects of Hindu mythology. This means that the reader learns a lot but it does also slow down the reading of the book and breaks up the immersion in the world. The footnotes are a good idea but perhaps if some of the words and concepts were better incorporated and explained within the writing itself then there could be fewer footnotes that offered greater explanations of more value.
The ending is a bit abrupt. It’s clear this is intended to be the first book in a series, but an extremely abrupt ending like this one makes it difficult to feel like the reader got a full book out of the deal. It feels more like the pilot of a tv show than the first book in a series.
I would give this book a more full review, but it has been pulled from publication since the review copy was sent to me. I really wish when authors and/or publishers choose to do this that they would notify those of us with review copies. While I enjoyed the read enough to not regret reading it, it feels rather silly for me to bother reviewing a book no one else can get their hands on anymore.
Overall, this is a fantasy book set firmly in the tradition of Hindu mythology that will best appeal to readers who enjoy the traditional features of mythology and don’t mind an abrupt ending.
3 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
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Logan finds himself a single dad after his young son’s mother abandons him on his doorstep, so he moves back to his hometown of Salem, Massachusetts, looking to provide his young son with some stability. He has a bad rep from his teen years in Salem to get over, though, and he hopes his new job as a television producer at the local tv station will help. He wasn’t expecting his downstairs neighbor Melody Seabright, however.
Melody, who seems incapable of holding onto a job for any length of time, gets him to get her a meeting with the owner of the tv station and somehow convinces him to give her her own tv show, The Kitchen Witch. The only problem is she can’t cook, and whether or not she’s really a witch is up for debate.
Can Melody learn how to cook and hold onto the job? Or are both of their jobs now in jeopardy? And why does Logan keep thinking about such an unpredictable woman when he knows he needs to provide stability for his son?
I picked this up on a free book cart at a local library because the cover and title were cute, and I definitely am periodically in the mood for some lighthearted paranormal romance. I was a bit disappointed to find this isn’t really a paranormal romance, but I still enjoyed the contemporary tale it told, primarily due to its featuring a good-hearted single dad.
Logan is a contemporary romance character who will make many readers’ hearts beat a bit faster. He’s cute, young, has a high-powered job, lives in the quirky town of Salem and enjoys it, and is an awesome single dad to his young son. Having him be a bad boy who overcame it for his son is the perfect last touch for a contemporary romance. I can see many readers enjoying fantasizing about him.
Melody may be a bit more hit and miss with readers. The delightfully clumsy bit has been used a lot in romance recently and may feel a bit been there done that. Her apartment is divinely adorable, though, and she has some curves that are always looked upon as a good thing. Her difficult relationship with her own father adds some depth to the character, but some readers might have trouble sympathizing with a poor little rich girl, although I do think that Blair handled this particular aspect well.
Blair also writes children characters beautifully. The son sounds like a child, and yet still has the proper astuteness and vocabulary for his age. The only negative I can say about him is that I honestly already forgot his name. However, I enjoyed his presence every time he popped up into the story.
The plot is where things get a bit shaky. The book is definitely marketed as a paranormal romance, and there are hints at the beginning of the book that Melody might be a witch, but that never comes to fruition. The best I can tell is that she’s learned how to act and sound like a witch by virtue of living and working in Salem. There’s nothing wrong with this, but it was disappointing given that I thought I was getting a paranormal story. I also thought that if the book is going to have Logan suspicious Melody is a witch, at some point he should definitely find out once and for all whether she is one. I think perhaps the book was trying to say she’s just a regular girl with some knowledge of Wicca (which isn’t the same thing as being a paranormal romance witch, since Wicca is a religion and doesn’t actually involve paranormal romance style magic but it’s still a reveal I would have been happier with). However, that also is never firmly revealed. Just what type of witch, if any, Melody is is just a plot idea that is dropped and never fully dealt with, which is a bit frustrating.
A bigger plot issue to me though is that this book falls into the romance trope of everyone can see the couple should be together but the couple makes up fake obstacles to stand in their way and they just have to come to their senses and deal with their own stupidity to get over it. (I really wish there was a shorter way to describe that particular trope…..) It is just a trope that really bugs me. I don’t mind real obstacles in the way of a couple, but the couple just being idiotic and making up their own obstacles feels to me like the author stirring up fake drama to make the book longer. Also, I am 100% a-ok with a couple meeting, working out some realistic difficulties, and then being together. Things that are overly dramatic for the sake of drama just rub me the wrong way. Some readers may be ok with this trope, but for those who aren’t, be aware that this is where the plot eventually goes.
Having been to Salem multiple times, I can say that the author clearly did her research, as she depicts the culture and feel of Salem quite well. She also understands the layout of the town and even gives a realistic vague-ish location for Logan and Melody’s house. (In the few blocks nearish the House of the Seven Gables, in case you’re wondering).
The sex scenes were good, not ridiculous. They weren’t mind-blowingly hot, but they were fun to read and well-written.
Overall, this is a good contemporary romance featuring a lovable single dad love interest that is mismarketed as a paranormal romance. Those looking for paranormal romance should be aware that this fits in much better with the contemporary romance crowd. Additionally, those who are frustrated by couples keeping themselves apart for no reason should be aware that this is the romance trope found in this particular book. Recommended to those looking for a steamy contemporary read featuring a heartthrob single dad and a realistically quirky New England town.
3 out of 5 stars
Source: Library free book cart