When Leslie married Alex, she knew they both agreed on wanting children. What she didn’t realize, though, was how fiercely Alex, the last son in a long line of wealthy and powerful New Yorkers, would want only their own biological children. He’s willing to try anything to get them biological children, and she feels she can’t deny him one last-ditch effort with a doctor in Slovenia that a couple from their infertility support group swears worked for them. And the woman has the baby bump to prove it. So they fly off to Slovenia, and from the first instant in the doctor’s office, Leslie feels that something just isn’t right….
I’m a real sucker for evil pregnancy/children stories. Rosemary’s Baby and The Omen are two of my favorite movies. So when I heard about this new take on a classic trope, I knew I had to try it out. The book ends up being much less about pregnancy and more about the perils of genetic modification, providing an interesting twist on the evil pregnancy trope that carries out through the childhood of the babies that were conceived.
Essentially, the parents’ genetics were so messed up by the treatments performed by the doctor that they start turning into something different from human. Something a bit more animalistic. The children, of course, also have some of this animalistic genetics, but most of the differences don’t show up until puberty. This allows the children to be innocents for most of the book while their parents have gone off the rails from their very first treatment. My favorite part of this book is how it offers a smart critique of pushing our bodies to do something they don’t want to do. Where is that line? How far should we push things with science and at what point will using science make us something different from human? And is that something different going to necessarily be better? Leslie clearly feels that her children were ultimately worth everything she, her husband, and their bodies went through, but the book itself leaves the answer to that question up to the reader.
Beyond this concept, though, the actual execution of the characterizations and the plot get a bit messy. The writing can sometimes wander off onto tangents or become repetitive. Some aspects of the plot are explored too much whereas others are glossed over too quickly. The book starts out tightly written and fast-paced but toward the end of the book the plot gets disjointed and goes a bit off the rails. Part of the issue is a bit of a lack of continuity regarding just how messed up Leslie and Alex actually are by the treatments. Are they still at all human or are they completely untrustworthy? Is there any possibility of redemption for them? At first both seem equally far gone but then Leslie seems to pull back from the edge a bit, thanks to a MacGuffin. It’s hard to be frightened of the situation if the frightening aspect of the parents comes and goes at will.
Similarly, in spite of the book wanting us to root for Alice and Adam (the twins Leslie and Alex have), it’s hard to really feel for them when they come across as extraordinarily two-dimensional, particularly Alice. Children characters can be written in a well-rounded way, and when it’s well-done, it’s incredible. Here, though, Alice and Adam seem to mostly be fulfilling the role of children and not of fully fleshed characters.
Most of these issues are more prevalent in the second half of the book, so it’s no surprise the ending is a bit odd and feels like it leaves the reader hanging. I was surprised to find out there’s a sequel, as I thought this was a standalone book. On the one hand I’m glad there’s another one, because the story isn’t finished. On the other, I’m not a fan of such total cliffhanger endings.
Overall, the first half of the book offers up a thrilling and horrifying critique of just how far people should be willing to go to get pregnant. The second half, however, is not as tightly plotted and drops the well-rounded characterization found in the first half of the book. Recommended to pregnancy and/or genetic modification horror enthusiasts who may be interested in a different twist but won’t be disappointed by a cliffhanger ending.
3 out of 5 stars
Lizzie and Dimitri are back from their honeymoon and are all moved in to their new California oceanfront home. Lizzie is loving married life, even if she has to deal with keeping her talking dog Pirate’s pet dragon out of trouble. But one night someone dumps a purgatory creature on their beach, and their search for who did it and why leads Lizzie right back to two of her worst nemeses: a big bad demon and her birth father.
I was really excited to be able to get an advanced reading copy of this book, since I’ve been a fan of the series from book one. I also was happy to see that Fox wasn’t going to stop the series just because Lizzie got married. I think more urban fantasy needs to acknowledge that you don’t have to be single or have a dramatic love life in order to be bad-ass. This book demonstrates quite well that just because Lizzie got married doesn’t mean that the series will stagnate.
The book’s strength is its opening sequences demonstrating Lizzie’s married life, as well as the first time we see the biker witches’ new permanent digs. Both show that while everyone is still the characters we first met and fell for, they are also progressing and changing as their life situations change. The scenes of Lizzie and Dimitri’s new married life are a pleasure to read, seeing them settled into being a partnership and Pirate accepting of the fact that he is now banned from the bedroom. It’s also pretty hilarious to see them trying to hide the supernatural from their homeowner’s association. Similarly, the biker witches are still quirky and funny but now they have made a real home out of a motel, including a surprisingly beautiful magical courtyard out back. These are the characters we love in new situations, and it’s quite well done.
The plot is a bit meh this time around. We’ve seen this big bad demon multiple times before, as well as the problems with Lizzie’s birth family. It feels a bit like a recycled plot, in spite of some of the finer details being different. I think it’s high time Lizzie gets a new big bad to fight. Additionally, I think a lot of readers will have a problem with the direction the plot goes at the end of the book. Fox pulls up this thing that is earth-shattering to readers, and should be to the characters, but they kind of just brush it off and don’t really deal with the consequences. I’m hoping that they will in the next book, but even if they do, it’s still a rough plot for this book. It starts out ho-hum as something we’ve seen before then in the final third goes suddenly off the rails in a direction a lot of readers won’t like. Kind of a difficult plot to deal with when it’s wrapped in such cute characters, scenes, and overarching series developments.
For those who’ve read it, I seriously question the plot having Lizzie kill Pirate with such vehemence when she’s possessed, only to have him brought right back to life. Now, don’t get me wrong, I appreciate the idea of having Lizzie possessed after all of her loved ones were possessed by the same demon in the prior book. That’s an interesting direction to go. But having Lizzie actually kill Pirate? Gut-wrenching to read. And then she faces no consequences because he is just brought back to life, and everyone instantly forgives her? It felt like Fox ripped my heart out for no reason, and then I didn’t forgive Lizzie as fast as her family and friends seemed to. It was a tough ending to the book.
The sex scenes are the perfect level of sexy and romantic. They feel just right for newlyweds but also don’t overwhelm the plot. One character from a prior book is explored more in-depth, and a new character is added. I wasn’t a fan of the latter, but I enjoyed the former.
Overall, this book handles its urban fantasy heroine’s new married life quite well, balancing the romance with the fighting, dangers, and sexiness readers expect. Some readers may be bothered by the fact that the plot starts out feeling like a do-over of previous plots, and some may be bothered by the ending of the book. However, fans of the series should definitely pick this one up to see where Lizzie and the gang are heading, and they will be left wanting to pick up the next one as quickly as possible.
4 out of 5 stars
Previous Books in Series:
The Accidental Demon Slayer, review
The Dangerous Book for Demon Slayers, review
A Tale of Two Demon Slayers, review
The Last of the Demon Slayers, review
My Big Fat Demon Slayer Wedding, review
Annie O’Sullivan extremely forcefully declares in her first therapy session that she doesn’t want her therapist to talk back to her; she just wants her to listen. And so, through multiple sessions, she slowly finds a safe space to recount her horrible abduction from an open house she was running as an up-and-rising realtor, her year spent as the prisoner of her abductor, and of her struggles both to deal with her PTSD now that she’s free again and to deal with the investigation into her abduction.
I was intrigued by the concept of this book. Yes, it’s another abduction story, but wrapping it in the therapy sessions after she escapes was an idea I had not seen before. So when I saw this on sale for the kindle, I snatched it up. I’m glad I did, because this is a surprisingly edge-of-your-seat thriller.
Stevens deals with the potential issue of back-and-forth with the therapist by having Annie say in her first session that in order to feel safe talking about what happened to her, she needs the therapist to say very little back to her. It is acknowledged that the therapist says some things to Annie, but it appears that she waits to talk until the end of the session when Annie is done talking. What the therapist says isn’t recorded but Annie does sometimes respond to what she suggested in later sessions. This set-up has the potential to be clunky, but Stevens handled it quite eloquently. It always reads smoothly.
The plot itself starts out as a basic abducted/escaped one, with most of the thriller aspects of the first half of the book coming from slowly finding out everything that happened to Annie when she was abducted. The second half is where the plot really blew me away, though. The investigation into her kidnapping turns extremely exciting and terrifying. I don’t want to give too much away. Suffice to say that I wasn’t expecting most of the thrills to come from the investigation after the kidnapping and yet they did.
Annie is well-developed. Her PTSD is written with a deep understanding of it. For instance, she both needs human connection and is (understandably) terrified of it, so she pushes people away. Stevens shows Annie’s PTSD in every way, from how she talks to her therapist to how she behaves now to subtle comparisons to how she used to be before she was traumatized.
Other characters are well-rounded enough to seem like real people, including her abductor, yet it also never seems like Annie is describing them with more information than she would logically have.
I do want to take just a moment to let potential readers know that there are graphic, realistic descriptions of rape. Similarly, the end of the book may be triggering for some. I cannot say why without revealing what happens but suffice to say that if triggers are an issue for you in your recovery from trauma, you may want to wait until you are further along in your recovery and feel strong enough to handle potentially upsetting realistic descriptions of trauma.
Overall, this is a strong thriller with a creative story-telling structure. Those who enjoy abduction themed thrillers will find this one unique enough to keep them on the edge of their seat. Those with an interest in PTSD depicted in literature will find this one quite realistic and appreciate the inclusion of therapy sessions in the presentation.
5 out of 5 stars
John Perry joined the Colonial Defense Force on his 75th birthday. Americans aren’t allowed to be colonists in outer space, but they can defend the colonies in the outer space army. Old folks join for many reasons from boredom to having always wanted to see outer space, even though details of what goes on out there are kept secret from Earth. In spite of all the secrecy, the rumor is that those who join the CDF get to be young again, and who wouldn’t want a second chance at life?
Multiple friends have read this book and loved it, and of course I found the idea intriguing, who wouldn’t? So when a friend offered to loan me his copy, I took him up on it right away. I was not disappointed in the world Scalzi has created, it is endlessly fascinating, but the main character’s arc failed to be quite so interesting to me.
I can’t imagine how anyone would not find the basic premise of this book interesting. Outer space colonies that are kept a mystery from Earth. Only certain countries allowed to colonize (primarily those suffering from population overload). Top it off with a colonial army made entirely up of old people who supposedly get to be young again? Completely. Fascinating. And Scalzi really comes through on the science of all of this, the politics, and manages to have some surprises in there, in spite of the what seems to be very straight-forward book summary. And the world beyond the soldiers and the colonists is utterly fascinating as well. The aliens are incredibly creatively imagined, not just in their looks but in their cultures. They feel real. And that extends to the battles and spaceships as well. The worldbuilding here is phenomenal. It is an example of how scifi worlds should be built.
The main character, though, as well as his character development arc, fail to live up to the incredible worldbuilding. John Perry, from early on, is talented at war, in spite of having only been an advertising slogan writer for his whole life. He has no real life experience that would make one think he would be good at war. Additionally, even when he is doing battle, he’s kind of flat on the page. He doesn’t jump off as the leader he supposedly is supposed to naturally be. Other characters feel that way, but not John. In fact, I frequently found myself far more interested in the secondary characters around John than in John himself. I was willing to give this a bit of a pass since, well, the character has to live for us to continue to see the wars he’s fighting, and maybe Scalzi has a thing for unlikely heroes. But his character arc takes an odd turn at the end that really bothered me.
John meets a special forces woman who is in his dead wife’s body. Basically, his dead wife’s DNA was used as a base to build a genetically enhanced body. Ok, I’m fine with that, even if it seems unnecessary. But then John becomes obsessed with her, and she with him, even though she is very clearly NOT his wife. Then at the end, he asks her to move to a colonial farm with him when they retire. And she says yes. Whaaaaat?! This isn’t romance; this is gross! The special forces woman has as much in common with John’s wife as her sister would at this point, since they have messed with the DNA so much. This is like John pursuing his dead wife’s sister, who is emotionally only 6, since she was put into a fully adult body 6 years ago and had no life prior to that. It’s gross. It is not romantic. And I really think the reader is supposed to see it as romantic, when instead it squicked me out far more than any of the aliens in the book, including the ones with slimy appendages or the ones who eat humans.
Overall, this is an utterly fascinating scifi world with a bit of a ho-hum main character. The ending may disappoint some readers, and Scalzi’s politics can come through a bit obviously sometimes. However, those at all intrigued by the plot summary or interested in high quality scifi world building should check it out.
4 out of 5 stars