Maui wedding planner, Pali Moon, wound up as a key witness against a drug ring, and now she’s been whisked into witness protection, sent to the small boring island of Lana’i, and right at the holidays no less! The feds seem to be taking their sweet time getting the case to court, and Pali is bored out of her mind, used to the hustle and bustle of wedding planning. When a small local bed and breakfast advertises looking for temporary help while they go to the main island to have their baby, it seems like the ideal situation. But when a famous guest’s fiancee turns up dead, Pali finds herself right in the thick of things again.
I picked this mystery up when I saw it on sale (for free) in the kindle store, in spite of it being midseries. The punny title made me think it was probably a cozy, and I know those series are totally fine to read out of order. I was right in that I never felt lost in the story due to starting mid-series, but I wasn’t right about it being a cozy. Pun-filled title aside, this is an easy-going mystery, ideal for a beach read, but missing the appendixes of add-ons such as recipes or patterns found in cozy mysteries
Pali is a three-dimensional character who jumps off the page, and the supporting characters, while not necessarily three-dimensional, each have enough different quirks and personalities that they are memorable. That said, Pali may be three-dimensional but she’s sure not likable. One example, she kisses someone on Lana’i, and then later finds out that her boyfriend may be cheating on her and flips out. But wasn’t she just cheating by kissing someone else? The hypocrisy left a really sour taste in my mouth for Pali. Characters don’t have to be likable, but in light-hearted mysteries where we’re supposed to be rooting for the non-professional PI, it really helps for them to be.
The mystery was fairly good. I certainly didn’t figure it out until right before the reveal, and the ultimate solution made sense. This is all I really look for in a mystery.
The setting was probably the best part. Bassett evokes (what I can only imagine is) the real feel of Hawaii. Each island visited has its own feel, Hawaiian culture is solidly represented with things like islanders calling all the elderly women “aunty” and locals being able to talk their way onto a ferry for free. What kept me reading the book was my desire to spend time in Hawaii, combined with a mystery I was interested in the solution to.
Overall, the rich Hawaiian setting and actually mysterious mystery make this a fun beach read. The main character is three-dimensional but could rub some readers the wrong way. Those looking for a traditional cozy should be forewarned that this book doesn’t come with any traditional cozy extras. Recommended to those looking for a light mystery set in Hawaii.
3 out of 5 stars
Science is moving forward to and through transhumanism to posthumanism, and no society seems to quite know how to handle it. China is using the tech in their armies, Thailand is interested in its use to enhance meditation and zen, and the US government banned many of the different treatments and drugs after they were used by cults to make cloned children into killing machines. Kaden Lane knows about the potential dangers, but he and his lab partners are still invested in making their brain nanotechnology drug, Nexus, work. It makes minds meld together, able to feel others’ suffering, and they think it will lead to world peace. Samantha Cataranes was a victim of a transhumanist mind control cult as a child, now she fights on the side of the FBI putting a stop to any science deemed too dangerous. When Samantha and Kaden meet, their worlds and worldviews start colliding.
I had honestly kind of forgotten what this book was about, beyond it being scifi, by the time I picked it up to read it. I thus was able to experience most of it as a surprise. It’s a book that’s a modern twist on cyberpunk with plenty of action to boot.
Jumping far enough ahead that some transhumanist elements already exist is a smart move. It lets the book think forward further than the initial transhumanist elements that it’s generally easy to see the advantages of, like fully functional robotic hands, into the grayer areas with things like cloning and mind control and making soldiers who are super-soldiers. This is a more interesting ethical dilemma, and the book doesn’t take very long to set up the world and get into it.
Nexus itself is a fascinating drug that combines nanotech and drugs. It’s easy to see that the author knows his science and has extrapolated into a possible future with a lot of logic based on current science. That’s part of what makes reading the book so fascinating and slightly frightening. It feels like an actual possibility.
The world building is done smoothly, incorporating both in-plot mentions and newspaper clippings and internal briefings to establish what is going on in the greater world around Kaden and Samantha.
The characterizations are fairly strong. Even if some of the secondary characters can seem two-dimensional, the primary characters definitely are not. Seeing a woman as the world-wise, transhuman strong fighter, and the man as the physically weaker brains was a nice change of pace. Additionally, the book embraces the existence of gray areas. “Bad guy” characters aren’t necessarily bad, and “good guys” aren’t necessarily good. This characterization helps tell the nuanced gray area story of the overarching plot.
The beginning of the book was weaker than the middle and the end. The first chapter that has a character testing out Nexus by using it to land sex with a hot woman almost made me stop reading the book entirely. It felt like some pick-up artist douchebro was imagining a future where tech would make him irresistible to women. Frankly, that whole first chapter still feels extremely out of place to me now. It doesn’t fit into the rest of the presentation of the character throughout the book. It feels like an entirely separate story altogether. I would encourage potential readers to skim it, since it barely belongs, then get to the rest of the book.
After the first chapter, the next few chapters feel a bit overly rose-colored lenses at first. Almost as if the author sees no gray areas and only the potential good in humans. Thankfully, this is mostly the rose-colored lenses of a main character that quickly fall away for the more nuanced storytelling of the rest of the book. But it did induce a few eye-rolls before I got further along.
The middle and end of the book look at human potential for both good and evil within the context of both science and Buddhism. It’s fascinating stuff, and makes a lot of sense since quite a bit of modern psychiatry is working hand-in-hand with ideas from Buddhism, particularly about meditation. This is where the more interesting insights occurred, and also where I felt I could embrace the book a bit more.
Each of us must walk our own ethical path. And together, men and women of ethics can curb the damage of those without. But for you…if you keep vital knowledge from others, then you are robbing them of their freedom, of their potential. If you keep knowledge to yourself, then the fault is not theirs, but yours. (loc 5597)
Overall, this cyberpunk scifi that mixes transhumanism and posthumanism with nanotechnology, fighting big governments, and Buddhism tells a fascinating tale full of gray areas that will appeal to scifi fans. Some may be turned off by the first few chapters that lack the nuance and likeable and strong characterization of the rest of the book, but it’s worth it to skim through the first few chapters to get to the juicier middle and end.
4 out of 5 stars
Rachel is a doctor in the slums outside of London. It’s not a great place to live, but it’s safer than a lot of the other options available. She’s also a Reacher with telepathic powers. Since she was a young girl, she learned to hide her abilities and always know her exits so she could run at any time. But when two brothers show up, one a wounded Reacher, and tell her a mobster sent them looking for her, she has to decide whether to run again or trust the brothers.
Near-future dystopias will never cease in their appeal to me, and so I was fairly quick to accept this one when I was choosing ARCs to read for 2014. The book offers a grim dystopia but far less running than one would imagine from the title.
The book establishes the overall dreary setting of a dystopia fairly quickly. Rachel’s work at the hospital and commuting home from it is dirty and grimy. Society is clearly barely functioning, a fact that is smoothly and clearly established. It takes a bit more time to learn more about the over-arching world, and the fact that Rachel is a “Reacher,” a person with some form of telepathic powers. For some reason, the government is seeking to eradicate all Reachers, whereas the church, which is illegal, views them as angels sent from above, metaphorically speaking. It’s an interesting world but our view into it is quite narrow, so there’s a lot of questions left unanswered.
Rachel is a good, strong character who is well-rounded in spite of knowing little of her backstory. The brothers, on the other hand, are kind of annoying and two-dimensional. They and the general crime lords/corrupt cops feel much more cookie cutter than Rachel does. In a way, they drag her down. It’s hard to root for her when she chooses to cast in lots with this bunch.
Similarly, the plot focuses in on what feels more like a standard crime thriller plot, rather than a dystopian one. It’s a good crime plot, but it’s not a dystopian one. The title implies a much more dystopian style book, such as Rachel using her powers to outwit the government and start a new colony or something like that. Instead it feels a bit more like an urban fantasy style crime plot that just so happens to be surrounded by society breaking down, somewhere out there. I think marketing it as a running game, rather than as the crime mystery plot it really is hinders the book a bit. Readers who would like an urban fantasy style futuristic crime novel might miss it, because it sounds so dystopian. The title and summary give the vibe of a Logan’s Run or Maze Runner style book, when that’s not what it is. What it is is a perfectly good futuristic crime novel, but that’s not what it sounds like.
Overall, this is a quick-moving tale of futuristic crime with a dash of telepathic powers and an easily imagined setting. Fans of near future, fantasy, and crime will enjoy seeing the three intertwine. Those looking for more of a scifi or dystopian focus should look elsewhere.
3 out of 5 stars
Source: kindle copy from author in exchange for my honest review
Simeon Krug, creator of androids, has a new vision. Earth is receiving a transmission from deep space, and he’s determined to answer it. He’s building a tower in the Arctic tundra, a tall tower that reminds many of the Tower of Babel. With this tower he will send a return transmission to whoever is sending the message to Earth. He also has his androids building a spaceship, to be entirely manned by androids, to try to reach those sending the transmission. However, the androids he designed that now outnumber and serve humans have other things on their minds. They want to be recognized as equal to humans, their brothers of the womb. While some seek this politically, others seek it spiritually, worshiping their creator Krug.
Robert Silverberg wrote one of my all-time favorite books (The World Inside), so I now have an informal goal to read most (if not all) of what he has written. This one was, unfortunately, a miss for me, but at least the world he has created was fascinating to visit. The book presents a fascinating possible future that is marred by the rampant misuse of the term android and the length of time spent on the “android” religion.
I loved the idea of this book, and I love books about ai/androids/robots. I thus was horrified when within the first chapter we discover that the “androids” are, in fact, clones. They’re not machines at all. They are genetically engineered humans, created in vats, and whose genetic code is changed enough to give them plasticine skin so that humans can tell themselves apart from them. I like the concept of GMO humans vs non-GMO humans. I like the idea of the vat versus the womb. I cannot, however, tolerate the fact that everyone calls these folks androids. That is not what an android is! (Merriam-Webster definition of android). It really put a sour note on the whole book for me, and the misnomer is never explained. Did Krug just call them androids to make people think of them as robots when they actually aren’t? If that’s the case, he himself would not think of them as androids. But he does. He calls them machines. What scientist would genetically manipulate humans and then call the outcome machines? It just makes no sense, and in a scifi book, it’s something I can’t look past.
The plot is a bit of a bait-and-switch. The reader thinks it’s going to be about the tower, the possible aliens, etc… In fact this is the backdrop to the story of the “androids” fighting to have their humanity recognized. I liked that the book was ultimately not the Tower of Babel retelling I originally thought it was going to be, but potential readers might want to know that the “androids” and their fight for human rights are actually the focus of the book.
Readers should also be ready to have every minute detail of the “android” religion worshiping Krug outlined for them. While that type of scifi book definitely has its audience, it might be different from the one expecting the tower story. The one aspect of the telling of the “android” religion that I found incredibly annoying was how they recite their DNA strands as prayer. Think of it as like a Catholic person saying the rosary. Only instead of words, it’s series like “AAA-ABA-ACA-CCC-BBB-AAA,” and it goes on for a very long time. Perhaps this is less annoying to read in print than to hear in an audiobook, but going on for such long stretches of time each time an “android” prays seems unnecessary.
The characters are all fairly well-rounded. There is Krug, his son, a high-ranking “android,” Krug’s son’s “android” mistress, a couple of “android” politicians, and more. There are enough characters to support the complex plot, and it’s fairly easy to get to know all of them. The “androids” are also given the same amount of characterization as the humans.
The audiobook narrator was somewhere between pleasant and unpleasant to listen to. He has a very deep voice that doesn’t fluctuate much for various characters or narration. It works really well for Krug but not so great for the female characters. If the narrator’s female voices were better and if he emoted more for emotional scenes, his narration would be more enjoyable. Between this fact and the reading of the DNA mentioned earlier, I definitely recommend picking up the print over the audiobook version.
Overall, the book presents an interesting world of GMO humans worshiping their creator and seeking freedom while he is entirely focused on the project of communicating with the stars. The misuse of the term “android” throughout the book will likely bother most scifi readers. Some readers may find some aspects of the “android” religion a bit dull. Recommended to scifi readers more interested in the presentation of future religions than in contacting deep space or hard science.
3 out of 5 stars
Lizzie Brown, once preschool teacher turned demon slayer, is extremely excited to be marrying her true love, Dimitri Kallinikos, who just so happens to also be a magical shape-changing griffin. And she’s also fine with letting her adoptive mother run the whole show, even though her mother wants to make the wedding into a week-long event. She’s not so ok with having to tell her mother about being a demon slayer, though. Or about integrating her mother’s posh southern lady lifestyle with her recently discovered blood-related grandmother’s biker witch gang. She’s pleasantly surprised that her mother found a goth-style mansion to rent for the wedding. Maybe the magical and the non-magical can integrate fairly well, after all. But then it becomes evident that someone in the wedding is trying to kill her. Plus, they find demonic images around the property…..
This remains one of my most enjoyed urban fantasy series. The world Fox has created is bright, witty, imaginative, and a real pleasure to visit, even though sometimes the main character can rub me the wrong way (she’s a bit too straight-laced for me sometimes). Urban fantasy books can either keep the main character perpetually single or have her get married. If they choose to get married, the wedding book winds up with a lot on its plate. It’s hard to integrate the world of urban fantasy with the wedding scene a lot of readers enjoy reading about. Fox achieves this integration eloquently, presenting an intriguing urban fantasy mystery, the clash of urban fantasy magical folks and real world expectations, and manages to show the wedding is about the marriage, not the party.
My main gripe with the previous book was Dimitri and Lizzie’s relationship. Primarily that they don’t appreciate what they have, and how annoying that is. I think the events of the previous book really snapped them out of it, because here, Lizzie and Dimitri have taken their relationship to another level. They have a trust in and intimacy with one another that manages to withstand some pretty tough tests, and is a pleasure to read about. It’s easy to see that this is a couple that is ready for a marriage. It’s a healthy relationship that’s rare to see in urban fantasy. At this point in the series, I can appreciate that Dimitri and Lizzie aren’t perfect in the earlier books. Relationships change and grow with time, and Fox demonstrates that beautifully. Of course, it’s still more fun to read about a happy couple than one bickering with each other over minor things. But those hiccups in the relationship in earlier books helps make it (and the marriage) seem more real.
Similarly, Lizzie has grown with the series. Where at first she’s annoyingly straight-laced, now she is not just starting to break out of that but is enjoying breaking out of it. Seeing her adoptive mother pushes this issue to the forefront. Lizzie is finally coming into her own, and she, and her loving mother, have to confront that.
[Lizzie's mother] paused, straightened her already squared shoulders. “Is this type of style…” she waved a hand over me, “appealing to you? You look like a hooligan.” I let out a sigh. “Try biker.” (page 16)
Whereas this confrontation between Lizzie and her mother could have led to the mother looking like a bad guy, Fox leaves room for Lizzie’s mom to be different from her but still a good person and a loving parent. They butt heads over different opinions, just as real-life parents and adult children do, but they both strive to work through them and love each other for who they are. It’s nice to see how eloquently Fox handles that relationship, particularly with so many other plot issues going on at the same time.
The plot is a combination of wedding events and demon problems. Both ultimately intertwine in a scene that I’m sure is part of many bride’s nightmares. Only it really happens because this is urban fantasy. How Fox wrote the plots to get to that point is enjoyable, makes sense, and works splendidly. The climax perfectly demonstrates how to integrate urban fantasy and real life situations. Plus, I did not come even close to guessing the ending, which is a big deal to me as a reader.
The wit and sex scenes both stay at the highly enjoyable level that has been present throughout the series. Dimitri and Lizzie are hot because they are so hot for and comfortable with each other. The humor is a combination of slapstick and tongue-in-cheek dry humor that fits the world perfectly. I actually laughed aloud quite a few times while reading the book.
Overall, this is an excellent entry in this urban fantasy series. It tackles the wedding of the main character with a joyful gusto that leaves the reader full of wedding happiness and perhaps breathing a sigh of relief that no matter what may go wrong at their wedding, it couldn’t possibly be as bad as what can go wrong at an urban fantasy wedding. Highly recommended to fans of the series. You won’t be disappointed in Lizzie’s wedding, and you’ll be left eager to see her marriage.
5 out of 5 stars
It’s time for the fifth giveaway of 2014 here at Opinions of a Wolf. Lots of the indie authors whose books I accepted for review in 2014 also were interested in me hosting a giveaway at the time of my review, so there will be plenty more coming up in the future too.
What You’ll Win: One signed print copy of Stinger Stars by Paul Bussard
How to Enter: Leave a comment on this post stating what creature you think might secretly be more intelligent than we give it credit for.
Who Can Enter: US and Canada only
Contest Ends: August 5th. Two weeks from today!
Disclaimer: The winner will be contacted via email by the blogger to acquire their mailing address to send the print book. The blogger will then provide the mailing address to the author. The author will send the winner the print book. The blogger is not responsible for sending the book. Void where prohibited by law.
Maria is working on her thesis at a genetics research lab specializing in looking for ways to get human limbs to regenerate. When the owner’s son brings back a new species from Peru, a tiny worm-like creature with pyramidal tentacles, she discovers that the larger clones made from them are intelligent. But the owner’s son wants to conduct brutal experiments on them, involving cutting off their appendages, which grow back. Can Maria strike the balance between life-changing science for humans suffering from disabled or missing limbs and respecting the lives of an intelligent species?
Near-future books that question where to draw the line in research are a particular favorite of mine. It’s a gray area in many people’s minds, and scifi lets us explore the myriad possibilities and options at a bit of a distance, which allows for clearer thought. This book does an admirable job setting up a realistic near-future world to explore this issue, although the characters don’t quite live up to the world-building and story.
The near-future world of genetics research is established both clearly and with subtlety early on in the book. There are two competing genetics research organizations, and rather than looking into something monstrous or far-flung, they are looking into regenerating limbs. It’s a logical next-step for a near-future book. The research labs themselves, as well as how they are run, including the field-work, have a real-world, logical feel to them.
At first I was concerned from the book’s official description that the creatures discovered would be aliens, since alien experimentation would be less of a gray area to explore. They are not, in fact, aliens, they are a newly discovered species originating on Earth. The mystery is whether they were always sentient or if something in the modification and cloning process made them sentient. This makes the conflict of how to use the creatures to help humans without harming them better, because exactly what they are is a bit unclear. It’s not as simple as if they were simply aliens or some sort of cute, fuzzy creature. They’re these slightly creepy worm-like things with tentacles, and the conflict is do we still respect these kind of ugly, cloned creatures for their intelligence, or do they need to look cuter or more humanoid to gain that respect?
The plot is complex and keeps the reader guessing. Even though I was fairly certain things would ultimately end up ok, I wasn’t sure how they were going to get there. This made it an engaging and quick read.
Unfortunately, the characters are rather weak and two-dimensional. I never was able to truly connect to any of the characters. If anything, I connected to the creatures a bit more than the main characters. There are also a few instances that feel out of character for the small amount of characterization done. For instance, Maria thinks she can’t date because her family wants her to have an arranged marriage to keep the family Spanish. This type of arranged marriage situation could definitely happen, but I had a hard time believing that a woman so strong in the sciences, with so much agency for her career and for her grandmother’s well-being would actually even think about not seeing someone she cares for in order to have an arranged marriage. It felt out of character and simply forced upon her to add conflict. Similarly, there is an incident that at first is considered a rape and then later brushed off as not a rape. Without giving anything away, I agree it wasn’t a rape, but I also don’t think the character who at first mistook it for a rape would have made that error in judgment. It was out of character for their level of intelligence. This again felt forced to provide extra conflict that wasn’t needed. The main plot had plenty of interest and conflict to keep the book going without these out-of-character moments. I also felt the accent written for one of the characters was badly done and distracting. This character is a scientist with an advanced degree, yet he speaks in an informal, unrealistic accent that primarily consists of him dropping g’s and using a lot of contractions.
In spite of these characterization short-comings, the book still tells a unique near-future genetics research story with a quick-moving, engaging plot. Recommended to those looking for a scifi-style beach read.
3 out of 5 stars
Source: kindle copy from author in exchange for my honest review
Book Review: Eighty Days: Nellie Bly and Elizabeth Bisland’s History-Making Race Around the World by Matthew Goodman
In 1889, the world was obsessed with Jules Verne’s fictional work Around the World in 80 Days. So when Nellie Bly, a human rights crusading female reporter in New York City, suggested taking a shp to Europe in first class then coming back in steerage, she was surprised to get a counter-offer: try to beat the fictional Fogg’s record for traveling around the world. When The Cosmopolitan magazine heard about it, they sent their own female reporter, Elizabeth Bisland, on a trip trying to beat her. Only she left a day later and would go the opposite direction. Bly would travel east to west (Europe first), Bisland would travel west to east (continental US first). The women weren’t just taking different routes around the world, they had quite different backgrounds and personalities. Bly overcame a northern, working-class background to break into newspapers and crusaded for the less-fortunate whenever the paper would allow her to. Bisland was the daughter of a plantation owner. Raised in southern gentility and with an intense interest in everything British. She wrote a literary column for The Cosmopolitan. One of these women would win the race, but would either beat the fictional Phineas Fogg?
With my interest in women’s history, I was surprised when I saw this title on Netgalley that I had never heard of this race around the world, although I had heard of Nellie Bly, due to her investigative report into Bellevue Hospital (a mental institution). I knew I had to request it, and I’m quite glad I got a review copy. Goodman tells not just the story of these two women but also immerses the reader into the newly global world of the late 1890s, both the good and the bad.
Goodman starts the book by introducing us to the two women who will race around the world. He does an excellent job using primary source materials to give us both how others saw these women and how they saw themselves. For instance, in describing Elizabeth Bisland, Goodman writes:
One of her admirers, the writer Lafcadio Hearn, whom she had befriended in New Orleans, called her “a sort of goddess” and likened her conversation to hashish, leaving him disoriented for hours afterward. Another said, about talking with her, that he felt as if he were playing with “a beautiful dangerous leopard,” which he loved for not biting him. (loc 241)
While introducing the women, Goodman also talks at length about the role of women in journalism in the late 1800s and how hard it was for them to break into real reporting. Jumping off from Bisland and Bly, describes how women were blocked from many journalism positions with excuses such as that the newsroom needed to be free to swear and not worry about a lady’s sensibilities. Women were often barred to what was deemed the ladylike journalism of the society pages. The hardest part of being a hardhitting female journalist at the time wasn’t the actual reporting but instead the reception of women in the newsroom.
The successful female journalist, McDonald suggested, should be composed of “one part nerve and two parts India rubber.” (loc 465)
Bisland and Bly and their race came at the beginning of having women journalists do some form of stunt journalism, which is how they started to break into hardhitting journalism. Editors and owners discovered that readers enjoyed reading about women in stunt situations, such as learning how to stunt ride a horse, so this was their way in. Thus, even if the reader dislikes the personalities of either or both of the racers, they come away with some level of respect for them both breaking into the business.
From here, Goodman starts following the women on their race around the world. He takes the different legs of their journeys as a jumping-off point to discuss something historically relevant to that portion of the journey. For instance, during Bly’s trip on the ocean liner to Europe, he discusses how the steamships worked, from the technical aspects of the steam to the class aspects of first class down to steerage. During Bisland’s railroad trip across the United States, he discusses the railroad barons and the building of the transcontinental railroad. Thus, the reader is getting both the story of the race and historical context. It’s a wonderful way to learn, as the historical explanations flesh out the settings around and expectations of the women, and the women lend a sense of realness to the historical situations and settings being described.
After the completion of the trip (and, no, I won’t tell you who won), Goodman explores the impact of the trip on the women’s lives and follows the rest of their lives to their deaths. This part may feel a bit long and irrelevant to some readers, however often when people become famous for doing something, no one talks about the long-lasting impact of that fame or what the rest of their lives are like. Seeing how both women reacted to the trip, their careers, and others puts them in a more complete light, giving the reader a complete picture of what the race did in their lives. This complete picture of both of their lives is something I really appreciated and that also demonstrated that one shouldn’t judge people too fast. They and their lives may turn out differently than you expect at first.
What would have made me love the book is if I had come away feeling like I could respect or look up to either woman. Unfortunately, by the time I heard the full story of both of their lives, I found them both to be so deeply flawed that I couldn’t do that. I respect them for breaking into the newspaper business, and perhaps if I was a journalist myself that would be enough to make me look up to them. But each had a fatal flaw that made this not be a book about two role models but instead a book about two women. There’s nothing wrong with that, but it does keep it from being a book I would return to over and over again.
Overall, Goodman does an excellent job using the true story of two female journalists’ race around the world in 1889 to 1890 to build a solid picture of the increasingly global world of that time. The reader will come away both with having learned an incredible true story and details about the 1800s they might not have known before, told in a delightfully compelling manner. Some readers might be a bit bothered by how flawed the two women journalists are or by the fact that the book goes on past the race to tell about the end of their lives in detail. However, these are minor things that do not distract too much from the literary qualities of this historical nonfiction. Recommended to those interested in an easy-to-read, engaging historical nonfiction book focusing in on women’s history. Particularly recommended to modern, women journalists.
4 out of 5 stars
It’s time for the fourth giveaway of 2014 here at Opinions of a Wolf. Lots of the indie authors whose books I accepted for review in 2014 also were interested in me hosting a giveaway at the time of my review, so there will be plenty more coming up in the future too.
What You’ll Win: One ebook copy of One Death at a Time by Thomas M. Hewlett
How to Enter: Leave a comment on this post stating what profession you think might secretly have a lot of vampires among its ranks.
Who Can Enter: INTERNATIONAL
Contest Ends: July 11th. Two weeks from today!
Disclaimer: The winners will have their ebook sent to them by the author. The blogger is not responsible for sending the book.
Jack Strayhorn is a private eye and a member of Alcoholic’s Anonymous. Only, he’s not an alcoholic, he’s one of the vampires who meet in a secret vampire group that exists under the umbrella of AA to learn how to control their urges and feed on humans without killing them. He’s just returned to LA, his death site that he hasn’t been back to since he had to run in 1948 after becoming a vampire. When his current missing person case shows up dead next to a Fae politician, Jack gets dragged into a mixed-up underworld of Faes, werewolves, drugs, and a group of vampires determined to rule the world.
This is one of the twelve indie books I accepted to be reviewed on my blog in 2014 (complete list). I was immediately intrigued by the summary, due to its delightful urban fantasy/paranormal take on AA. The book delivers exactly what it promises, spiced with a noir writing style.
Jack Strayhorn is the perfect paranormal version of the noir-style hardboiled detective. He’s got a biting, snarky wit, a handsome presence, a sharp mind, and is a bit distant and mysterious. It’s just in this case he’s distant and mysterious because he’s a vampire. Making the private eye a vampire makes his character unique in noir, and, similarly, making the vampire a private eye with his focus primarily on crime solving and not paranormal politics gives the urban fantasy vampire a unique twist. Jack is presented as a complex character, one who we could not possibly get to know fully in just the first entry in the series. It’s easy to see how he will manage to carry the proposed 12 entries in the series.
Supporting Jack is a wide range of characters who accurately portray the diversity in a large town like LA, as well as the diversity one expects in a paranormal world. The characters are multiple races and classes. Whereas some urban fantasy books slowly reveal the presence of more and more paranormal races throughout the series, this book starts out with quite a few, and that is a nice change of pace. Most urban fantasy readers expect there to be more than just vampires, and the book meets the urban fantasy reader where they’re at. Even though the book has a large cast, the secondary characters never blend together. They are easily remembered, and the diversity probably helps with that.
I like the idea of vampires having an AA-like group, but I’m still not sure how I feel about this group existing as some secret under the umbrella of AA itself. The book even goes so far as to say the the founder of AA was a vampire himself, and used the human illness of alcoholism as a cover for the vampire group. I like and appreciate vampirism as a disease that some people just mysteriously have at birth as an analogy for alcoholism, but I feel that having it present in the same group as the real life AA groups dampens the realness of actual AA, weakening the analogy instead of strengthening it. I’ve seen books before have paranormal people get together in AA-style groups (zombies anonymous springs to mind), and in real life AA has spinoffs such as Narcotics Anonymous and Overeaters Anonymous. Prior to reading the book I thought maybe something might be added by having the vampires be a secret organization under AA, but after reading the book, I don’t think it did. I think the analogy would have been stronger if vampires spotted the similarities of their genetic vampirism with alcoholism and formed a “vampires anonymous” group, inspired by AA. Something about vampires creating AA themselves as a cover hits a bit of a sour note and weakens the analogy.
The plot is complex, with just enough twists and surprises. There were parts of the ending that I was unable to predict. The plot contained within the book was wrapped up sufficiently, and the overarching plot intending to cover the whole series was well-established and filled me with the desire to keep reading. Unfortunately, the second book isn’t out yet, so I will just have to wait!
Overall, this is a delightful mix of urban fantasy and noir and is a strong first entry for a new series. Some readers might dislike the paranormal take on Alcoholic’s Anonymous found within the book, but it is secondary to the mystery/noir plot and easy to gloss over if necessary. Recommended to urban fantasy readers looking to venture into noir or vice versa, as well as anyone who enjoys both urban fantasy and noir.
4 out of 5 stars
Source: kindle copy from author in exchange for my honest review