Jack Strayhorn is a private eye and a member of Alcoholic’s Anonymous. Only, he’s not an alcoholic, he’s one of the vampires who meet in a secret vampire group that exists under the umbrella of AA to learn how to control their urges and feed on humans without killing them. He’s just returned to LA, his death site that he hasn’t been back to since he had to run in 1948 after becoming a vampire. When his current missing person case shows up dead next to a Fae politician, Jack gets dragged into a mixed-up underworld of Faes, werewolves, drugs, and a group of vampires determined to rule the world.
This is one of the twelve indie books I accepted to be reviewed on my blog in 2014 (complete list). I was immediately intrigued by the summary, due to its delightful urban fantasy/paranormal take on AA. The book delivers exactly what it promises, spiced with a noir writing style.
Jack Strayhorn is the perfect paranormal version of the noir-style hardboiled detective. He’s got a biting, snarky wit, a handsome presence, a sharp mind, and is a bit distant and mysterious. It’s just in this case he’s distant and mysterious because he’s a vampire. Making the private eye a vampire makes his character unique in noir, and, similarly, making the vampire a private eye with his focus primarily on crime solving and not paranormal politics gives the urban fantasy vampire a unique twist. Jack is presented as a complex character, one who we could not possibly get to know fully in just the first entry in the series. It’s easy to see how he will manage to carry the proposed 12 entries in the series.
Supporting Jack is a wide range of characters who accurately portray the diversity in a large town like LA, as well as the diversity one expects in a paranormal world. The characters are multiple races and classes. Whereas some urban fantasy books slowly reveal the presence of more and more paranormal races throughout the series, this book starts out with quite a few, and that is a nice change of pace. Most urban fantasy readers expect there to be more than just vampires, and the book meets the urban fantasy reader where they’re at. Even though the book has a large cast, the secondary characters never blend together. They are easily remembered, and the diversity probably helps with that.
I like the idea of vampires having an AA-like group, but I’m still not sure how I feel about this group existing as some secret under the umbrella of AA itself. The book even goes so far as to say the the founder of AA was a vampire himself, and used the human illness of alcoholism as a cover for the vampire group. I like and appreciate vampirism as a disease that some people just mysteriously have at birth as an analogy for alcoholism, but I feel that having it present in the same group as the real life AA groups dampens the realness of actual AA, weakening the analogy instead of strengthening it. I’ve seen books before have paranormal people get together in AA-style groups (zombies anonymous springs to mind), and in real life AA has spinoffs such as Narcotics Anonymous and Overeaters Anonymous. Prior to reading the book I thought maybe something might be added by having the vampires be a secret organization under AA, but after reading the book, I don’t think it did. I think the analogy would have been stronger if vampires spotted the similarities of their genetic vampirism with alcoholism and formed a “vampires anonymous” group, inspired by AA. Something about vampires creating AA themselves as a cover hits a bit of a sour note and weakens the analogy.
The plot is complex, with just enough twists and surprises. There were parts of the ending that I was unable to predict. The plot contained within the book was wrapped up sufficiently, and the overarching plot intending to cover the whole series was well-established and filled me with the desire to keep reading. Unfortunately, the second book isn’t out yet, so I will just have to wait!
Overall, this is a delightful mix of urban fantasy and noir and is a strong first entry for a new series. Some readers might dislike the paranormal take on Alcoholic’s Anonymous found within the book, but it is secondary to the mystery/noir plot and easy to gloss over if necessary. Recommended to urban fantasy readers looking to venture into noir or vice versa, as well as anyone who enjoys both urban fantasy and noir.
4 out of 5 stars
Source: kindle copy from author in exchange for my honest review
India Morgan Phelps, Imp to her friends, is sure that there were two different Eva Cannings who came into her life and changed her world. And one of them was a mermaid (or perhaps a siren?) and the other was a werewolf. But Imp’s ex-girlfriend, Abalyn, insists that no, there was only ever one Eva Canning, and she definitely wasn’t a mermaid or a werewolf. Dr. Ogilvy wants Imp to figure out for herself what actually happened. But that’s awfully hard when you have schizophrenia.
I’d heard that this book was a chilling mystery featuring GLBTQ characters and mental illness. When I discovered it on Audible with an appealing-sounding narrator, I knew what I was listening to next. This book is an engaging mystery that also eloquently captures the experience of having a mental illness that makes you question yourself and what you know while simultaneously giving a realistic glance into the queer community.
Imp is an unreliable first person narrator, and she fully admits this from the beginning. She calls herself a madwoman who was the daughter of a madwoman who was a daughter of a madwoman too. Mental illness runs in her family. She states that she will try not to lie, but it’s hard to know for sure when she’s lying. This is due to her schizophrenia. Imp is writing down the story of what she remembers happening in journal style on her typewriter because she is trying to figure out the mystery of what exactly happened for herself. The reader is just along for this ride. And it’s a haunting, terrifying ride. Not because of what Imp remembers happening with Eva Canning but because of being inside the mind of a person suffering from such a difficult mental illness. Experiencing what it is to not be able to trust your own memories, to not be sure what is real and is not real, is simultaneously terrifying and heart-breaking.
Imp’s schizophrenia, plus some comorbid anxiety and OCD, and how she experiences and deals with them, lead to some stunningly beautiful passages. This is particularly well seen in one portion of the book where she is more symptomatic than usual (for reasons which are spoilers, so I will leave them out):
All our thoughts are mustard seeds. Oh many days now. Many days. Many days of mustard seeds, India Phelps, daughter of madwomen, granddaughter, who doesn’t want to say a word and ergo can’t stop talking. Here is a sad sad tale, woebegone story of the girl who stopped for the two strangers who would not could not could not would not stop for me. She. She who is me. And I creep around the edges of my own life. Afraid to screw off the mayonnaise lid and spill the mustard seeds. (Part 2, loc 55:35)
The thing that’s great about the writing in the book is that it shows both the beauty and pain of mental illness. Imp’s brain is simultaneously beautiful for its artistic abilities and insight and a horrible burden in the ways that her mental illness tortures her and makes it difficult for her to live a “normal” life. This is something many people with mental illness experience but find it hard to express. It’s why many people with mental illness struggle with drug adherence. They like the ability to function in day-to-day society and pass as normal but they miss being who they are in their own minds. Kiernan eloquently demonstrates this struggle and shows the beauty and pain of mental illness.
Dr. Ogilvy and the pills she prescribes are my beeswax and the ropes that hold me fast to the main mast, just as my insanity has always been my siren. (Part 1, loc 4:08:48)
There is a lot of GLBTQ representation in the book, largely because Kiernan is clearly not just writing in a token queer character. Imp is a lesbian, and her world is the world of a real-to-life lesbian. She is not the only lesbian surrounded by straight people. People who are part of the queer community, in multiple different aspects, are a part of Imp’s life. Her girlfriend for part of the book is Abalyn, who is transwoman and has slept with both men and women both before and after her transition. She never identifies her sexuality in the book, but she states she now prefers women because the men tend to not be as interested in her now that she has had bottom surgery. The conversation where she talks about this with Imp is so realistic that I was stunned. I’m not sure I’ve ever seen a conversation about both transitioning and the complicated aspects of dating for trans people that was this realistic outside of a memoir. Eva Canning is bisexual. It’s difficult to talk about Eva Canning in-depth without spoilers, so, suffice to say, Eva is out as bisexual and she is also promiscuous. However, her promiscuity is not presented in a biphobic way. Bisexual people exist on the full spectrum from abstinent to monogamous to poly to promiscuous. What makes writing a bisexual character as promiscuous biphobic is whether the promiscuity is presented as the direct result of being bi, and Kiernan definitely does not write Eva this way. Kiernan handles all of the queer characters in a realistic way that supports their three-dimensionality, as well as prevents any GLBTQphobia.
The plot is a difficult one to follow, largely due to Imp’s schizophrenia and her attempts at figuring out exactly what happened. The convoluted plot works to both develop Imp’s character and bring out the mystery in the first two-thirds of the book. The final third, though, takes an odd turn. Imp is trying to figure out what she herself believes actually happened, and it becomes clear that what she ultimately believes happened will be a mix of reality and her schizophrenic visions. That’s not just acceptable, it’s beautiful. However, it’s hard to follow what exactly Imp chooses to believe. I started to lose the thread of what Imp believes happens right around the chapter where multiple long siren songs are recounted. It doesn’t feel like Imp is slowly figuring things out for herself and has made a story that gives her some stability in her life. Instead it feels like she is still too symptomatic to truly function. I never expected clear answers to the mystery but I did at least expect that it would be clear what Imp herself believes happened. The lack of this removed the gut-wrenching power found in the first two-thirds of the book.
The audiobook narration by Suzy Jackson is truly stellar. There are parts of Imp’s journal that must truly have been exceedingly difficult to turn into audio form, but Jackson makes them easy to understand in audio form and also keeps the flow of the story going. Her voice is perfect for Imp. She is not infantilized nor aged beyond her years. She sounds like the 20-something woman she is. I’m honestly not sure the story would have the same power reading it in print. Hearing Imp’s voice through Jackson was so incredibly moving.
Overall, this book takes the traditional mystery and changes it from something external to something internal. The mystery of what really happened exists due to Imp’s schizophrenia, which makes it a unique read for any mystery fan. Further, Imp’s mental illness is presented eloquently through her beautiful first-person narration, and multiple GLBTQ characters are present and written realistically. Recommended to mystery fans looking for something different, those seeking to understand what it is like to have a mental illness, and those looking to read a powerful book featuring GLBTQ characters whose queerness is just an aspect of who they are and not the entire point of the story.
4 out of 5 stars
When Richard’s physicist professor uncle dies tragically in a plane crash and leaves him his coin collection, he is shocked to find a brand-new dime from 2012. The only thing is, it’s 1989. A note from his uncle states that the coin is important. Richard thinks the answer to the mystery might be in his uncle’s personal diaries he also left him, but he’s not a physicist and can’t decipher them. As the year 2012 approaches, Richard increasingly wonders what the coin is all about.
I had previously reviewed a book by Glen Cadigan, Haunted (review), whose concept I really enjoyed. When he offered me this novella, I was happy to accept. This fun novella tells an old-fashioned scifi mystery story in a way that reminded me of reading similar works from the 1800s.
Richard’s first-person narration follows a style similar to that used often in older scifi; it reads as if the main character is writing everything down in his journal for longevity. It’s a cozy narration style that works well for the slow-moving mystery it tells.
This narration style also helps establish Richard into a well-rounded character quickly. The reader almost immediately feels an intimacy with Richard as he discusses his sorrow at his beloved uncle’s sudden death, why he was close to his uncle, and his thoughts on the mysterious coin. The uncle is, perhaps, less well-rounded but only in the sense that the reader comes to know him only through the eyes of a loving relative. It thus makes sense that mostly his good qualities come through.
Cadigan artfully maneuvers Richard’s handling of the mystery from the days before the internet to present. Richard first employs old-fashioned research techniques to try to figure out the mystery then loses interest. With the advent of the internet, though, he regains interest and starts researching again. This is completely realistic and reads just like what a person might have done.
Some basics physics of time-travel and time-travel theories are included. They are written at the right level for a general audience reading a scifi book, neither talking down to nor being too technical.
What really made me enjoy the book was the resolution to the mystery. I should have seen it coming, but I did not, and I always enjoy a surprise that feels logical when I think back on it.
So why four stars and not five? The novella left me wanting something more. It felt almost too short. Like there was something left out. Perhaps more time spent on Richard’s researching of the mystery or snippets from the uncle’s journals or some photos of the uncle and his airplane might have helped it feel more fully fleshed-out and real. The old-school narration style was enjoyable but some additions of some of the types of things a person might put in their journal would help it feel more complete. Even some simple sketches or perhaps a poem by Richard about his uncle, since he’s in the humanities, would have helped.
Overall, this novella is a fun new take on the storytelling method of having a character write in their journal about a mystery. The science is strong enough to be interesting but not too challenging, and the result of the mystery is surprising. Some readers might be left wanting a bit more to the story. Recommended to fans of scifi classics such as The Time Machine or The Invisible Man.
4 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
It’s the Time War, and the Spiders and Snakes are battling each other up and down the timeline in an attempt to give time the ultimate outcome they each are hoping for. Nobody knows precisely who the spiders and snakes are, but they briefly resurrect humans and ask them if they want to participate in the war. Those who say yes become the soldiers, nurses, and the Entertainers who provide rest and relaxation for the soldiers in the waystation. One waystation is about to hit a ton of trouble when a package shows up and a soldier starts talking mutiny.
I’m a fan of time-travel as a scifi trope, and I liked the concept of a time war, so when I saw this sitting on my virtual ARC pile, I figured it would be a quick, appealing read. The book is less about time-travel, and more a type of scifi game of Clue, with everyone trapped in a waystation instead of a house trying to figure out who turned off the machine that connects them to the galaxy, rather than solve a murder.
The book takes place entirely within the waystation. The waystation exists outside of time to give the time soldiers a place to recuperate without the pressures of time travel. All but one of the soldiers are men, and most of the Entertainers are women. The one female soldier is from ancient Greece, the clear idea being that her era of women are the only ones tough enough to be soldiers. This definitely dated the book and led to some eye-rolling on my part. On the plus side, the book is narrated by a woman, and she is definitely one of the brains of the bunch. There thus is enough forward-thinking that the sexist distribution of time soldiers doesn’t ruin the book; it’s just irritating.
The crux of the book is the soldiers wondering who, exactly, is telling them what to do up and down the timeline and worrying that they are ruining time, not to mention the planet Earth they once knew. The soldiers are told they’re on the side of the good guys, yet the good guys are insisting that Russia must be stopped at all costs, even if that means the Germans winning WWII. Thus, the soldiers are awkwardly paired up with Nazis in the fight. It’s interesting to force the Allies to attempt to see Germans in a different light. However, the whole idea that Russia (and Communism) will ruin the world is just a bit dated. It’s easy to get past, though, since the dilemma of how to know if who you are following is making the right choices is a timeless one.
The attempted mutineer ends up trying his mutiny because he falls in love with one of the Entertainers.
I decided they were the kind that love makes brave, which it doesn’t do to me. It just gives me two people to worry about. (loc 10353)
The attempted mutiny against the cause is thus kind of simultaneously blamed on love and on the woman behind the man starting the drama. It’s true that love makes people do things they wouldn’t ordinarily do, but I do wish the characters were more even-handed in dealing out the blame for the mutiny to both halves of the couple. On the plus side, it is left unclear if the mutiny is a good or bad idea, so whether the idealistic couple in love are right or not is up to the reader to decide.
The final bit of the book dives into theories about time-travel, time, and evolution. It’s a bit of a heady side-swipe after the romping, Clue-like plot but it also shows how much of an impact the events of the book have on the narrator. At the beginning, the narrator states it was a life-changing sequence of events, and the wrap-up deftly shows how it impacted her.
Overall, this is a thought-provoking whodunit mystery set in an R&R waystation in a time-travel war. Some aspects of the book did not age particularly well, such as the hysterical fear of Communism and the lack of women soldiers, but the heart of the book is timeless. How do you know if those in charge are right or wrong, does love make you see things more or less clearly, and does evolution feel frightening and random when it’s happening. Recommended to scifi fans with an interest in a scifi take on a Clue-like story.
3 out of 5 stars
Will Henry states that this is a story that Dr. Warthrop did not want told…and proceeds to tell it anyway. When a British man shows up with a package being delivered under duress, Dr. Warthrop is ecstatic to realize it is the nest of the Magnificum–the holy grail of monstrumology. Dr. Warthrop decides to leave Will Henry in New York while he pursues this beast. But when his monstrumologist companion returns claiming that Warthrop is dead, Will Henry and two fellow monstrumologists travel to Europe to track him–or his body–down.
Not as engaging or thought-provoking as the first two books in the series, I can only hope that this third entry is suffering from the common penultimate book malady where the book which must set everything up for the finale of the series can sometimes drag.
There are two problems in this entry that make it fail to be as engaging or thrilling as the first two books. First, Will Henry is left behind in New York for a significant portion of the novel. We are thus left with a whiny teenager bemoaning Warthrop’s choice to be responsible for once and keep him out of danger. We also are left with very little action for far too large a portion of the book. The second issue is perhaps a bit of a spoiler but suffice to say that the monster is disappointing and its disappointment is easily predicted. If we had a lot of action with a disappointing monster, that’s still engaging. If we had less excitement with a surprising, phenomenal monster, that’s still thrilling. The combination of the two, though, prevents this thriller from being as thrilling and engaging as it should be.
Of course there are other elements that still worked, which is why I kept reading it. Yancey’s writing is, as ever, beautiful to read (or listen to) and contains much depth.
“So many times we express our fear as anger…, and now I think I wasn’t angry at all, but afraid. Terribly, terribly afraid.”
The settings are unique, and the characters are strong and leap off of the pages. Will Henry becomes more fully fleshed-out in this entry as we start to see his descent into a love affair with monstrumology. We also get to see Warthrop at what he himself perceives of as his lowest point. It’s a dark bit of characterization but it works very well for the story Yancey is telling.
Overall, I was a bit disappointed, purely because the first two entries in the series were so phenomenal. The third book is still a very good book. Fans might be a bit disappointed, depending on how attached they are to the unique thriller aspect of the series, but the characters and writing still make this well worth the time. Fans will remain in eager anticipation of the final entry in the series.
4 out of 5 stars
Em Johnson, manager of the Tiki Goddess Bar on Kauai, never intended to get involved in one murder investigation, let alone two. But when the hunky fire dancing detective Roland Sharpe asks for her help looking into some suspicious deaths in a high-profile, competitive halau (hula group), she just can’t say no. Before she knows it, she’s entering the geriatric Hula Maidens halau into the biggest hula competition on the island to help her get in where she can snoop.
I’ve dipped my toe in a few cozy series, but this is the first one that’s managed to call me back for a second helping. They’re all entertaining in their own way, but this series is also unique and engaging enough to keep me coming back for more, and thankfully those unique elements stayed strong in the second entry.
Em is a good cozy mystery heroine. She’s smart and willing to help but isn’t running amok destroying the police department’s days. She only helps when asked and even then, she’s a bit reluctant to disrupt her life. On the other hand, when she does help, she’s good at it. She lends insight that it makes sense only she would have, such as being able to infiltrate the halau competition. This lets both her and the inevitably hunky police detective she’s helping seem smart and efficient. She also has that every woman quality that lets the reader insert herself into the story.
The setting is perfect escapism. A Hawaiian seaside tiki bar that feels like Hawaii’s answer to Cheers. If Cheers had a set of geriatric hula dancers who started “rehearsing” aka drinking before noon. Not to mention an aging hippie who thinks he’s engaged to a dolphin. The setting represents both the beauty of Hawaii and the diversity of Hawaiians and Hawaiian culture. I certainly learned a few words of Hawaiian along the way in addition to thinking fondly of how nice it would be to live in a place with such tropical beauty.
The plot was multifaceted and engaging. Every character really has their own life and they manage to intertwine just the right amount. The murders (and attempted murders) happened at the right frequency and managed to be a surprise at least part of the time. The murder weapons are creative and well-thought-out. The plot is not predictable but it’s also not entirely off the wall. I felt surprised but also to a certain level knew that I could have figured it out if I’d thought a bit more. That’s the perfect amount of mystery in my book.
This would have been five stars, but there is one part of the book that I thought was in very poor taste at best. This is not a plot spoiler, as it is not necessary to the mystery at all. At one point, Little Estelle (the eldest of the Hula Maidens), climbs into a man’s car and basically throws herself at him. If the genders were reversed, this would definitely be read as a creepy old man assaulting a pleasant young woman. But since it’s an old woman it’s written for laughs. I get it that Little Estelle is presented as a horny, senile old woman, but there’s a way to write that that doesn’t verge into sexual assault territory. I just don’t find that sort of thing funny, and even though I get it that the intention was oh that silly old woman, it didn’t sit well to me. If this was my first Landis book, I probably would have stopped reading. I didn’t, and I’m glad I didn’t, because the rest of the book is 1,000 times more humorous and creative than those few pages. But I am disappointed that Landis chose to write Little Estelle that way. Others might find it more humorous than I did. I just don’t see such things as a laughing matter.
Most cozy books come with an arts and crafts do at home type project. This series includes drink recipes. I’m pleased to say that this book has even more drink recipes at the end than the first one, although I have yet to try mixing any myself. They are creative and fun-looking, though, and let the reader feel a bit like the Tiki Goddess could really exist.
Overall, this is an engaging, humorous cozy mystery. Readers of the first book will enjoy their return to the world of the Tiki Goddess. I am anticipating the next entry in the series, although I do hope that Landis will improve the characterization of Little Estelle.
4 out of 5 stars
In near future Michigan, a geneticist is murdered by his pet caline–a new pet created by gene splicing to have all the best characteristics of dogs and cats combined and guaranteed to be docile. His widow doesn’t believe that their beloved pet could possibly have done the killing so she hires private investigator Aidra Scott to prove her innocence. But as Aidra digs deeper into the mystery she finds far more intrigue than the possibility of a framed pet. This intrigue could rock a nation already debating geneticism.
I was intrigued primarily by the idea of calines. As an animal lover I couldn’t help but be fascinated by the idea of a caline. While the calines are pulled off well, they are not the focus of the book. This is definitely a near future scifi mystery, and it’s well-done.
The plot is a typical murder mystery with a twist. The pet is possibly framed, and the pet was created in a lab by geneticists. While I had my suspicions about whodunit early on, I must admit I wasn’t entirely right, plus there was an added twist at the end that I didn’t see coming. The plot will definitely keep you reading, even if you’ve read a lot of mysteries.
That said, there was at least one dead-end in the plot that I found frustrating. Aidra goes to visit the fringe group that protests genetic manipulation and gets tossed out on her ass, but we never really find out why the group was so hostile or much else about that angle into the whole thing really. Between that and the twist at the end, I was left wondering if a follow-up novel is intended, although all signs indicate the authors don’t intend to write one. If they don’t, I must say I found that the plot left me hanging a bit.
The main character is a single mother of a young teenage boy. This is different from what we see in a lot of mystery, and I enjoyed the new perspective. The cast was also quite diverse, which is appropriate for the setting. The characters were fairly well-rounded for a mystery novel. One thing that did bug me is that some Britishisms slipped into the American text. Long-time readers know that this is an issue that really bugs this particular reviewer. The authors (M. H. Mead is a pen-name for a pair of writers) try to explain this away by mentioning that Aidra is originally from the UK. While that explains some of her own Britishisms, it doesn’t explain why they sneak into the narration.
Overall, this is a fun scifi mystery. It consists of an interesting germ of an idea with a few plot twists to keep the reader guessing. It could use a few more tweaks, but fans of the mystery genre will enjoy it.
4 out of 5 stars
Source: Kindle copy provided by authors in exchange for my honest review.
Sophie Mae and her best friend decided to join a CSA (Community Supported Agriculture) as soon as the opportunity popped up in their small town. One day when they’re volunteering at the farm, a dead body is found in the compost heap. Sophie Mae is determined not to get involved this time, after all, she’s got enough on her plate with her soap making business and trying to make a baby with her husband, Detective Barr. But Barr’s boss asks her to help identify the body by talking to the folks in the community , and she just can’t say no.
Cozy mysteries consist of a mystery (that’s not too explicit or bloody) paired with an unlikely investigator, some sort of crafting, a good dose of humor, and a punny title. In other words, they were basically made for me. (Some even come with recipes!) So when this one popped up on NetGalley, I snatched it up, and I’m so glad I did! McRae successfully pulls together everything that makes a cozy great.
The plot is excellent. The murder mystery isn’t too gory, but is also realistic. The body is found in a compost heap, yes, but it’s just a dead body. There aren’t slashed off heads hanging out in tea kettles or something. Everyone is appropriately disturbed by the finding. There’s no ho-hum just another day element at play. Although I admit I had figured out whodunit before the end, the why and when were still a mystery. Plus I never felt that Sophie Mae was being stupid and just missing something. Why it was taking her a bit to see whodunit made total sense. I also really appreciate that GLBTQ people are included in the plot without a big deal being made out of it. They are just another character, which is just how I like my diversity in genre literature.
The characters are fairly three-dimensional for a cozy. Everyone had something I liked and didn’t like about their personality, even the heroine, which is key to characters seeming realistic. There were also a wide variety of people present from Sophie Mae’s best friend’s daughter to an elderly friend of the family. This range is something that is often missing in literature, and I liked seeing it here.
What I really come to cozies for, though, I admit, is the integration of crafting. In this case the theme is participating in a CSA, so parts of the book are devoted to how a CSA works from acquiring your weekly allotment to figuring out how to use it to cooking with it. I really appreciated the quips about having so much of a certain produce that they’re coming out your ears. I also really enjoyed the scenes that discussed taking real time out to cook dinner and what that feels like, such as talking about how garlic smells when you first throw it into a hot pan. I know not all readers enjoy this, but honestly that’s part of the point of a cozy. Taking the time to linger on crafts and talents that take time to cultivate but are well worth it, and McRae incorporated this element very smoothly into the book. I do wish some recipes or CSA tips had been included, but it’s possible I just didn’t see them since I had an advanced copy.
Overall this book has a dash of everything enjoyable about a cozy mystery. Recommended to cozy fans, particularly those in or considering a CSA.
4 out of 5 stars