Tom Starks has not been the same since his wife, Renee, was brutally murdered with a baseball bat in a parking lot. He’s been struggling for the last three years to raise her daughter, who he adopted when he married Renee. When Renee’s killer is released after a retrial finds insufficient evidence to hold him, Tom becomes obsessed with dealing out justice himself.
I was so excited that two of my 2014 accepted review copies fit into the RIP IX reading challenge! This book’s title jumped out at me immediately when it was submitted, and I had been saving it up specifically to read in the fall. I’m glad to say that this thriller does not disappoint, although it goes in a bit of a different direction than I originally anticipated. And that’s a good thing.
The main character is not who you usually see from a thriller with a person seeking violent justice. He’s bookish. Rather weak and simpering. Afraid of his own brother-in-law, who used to be a boxer. But he was madly in love with Renee, and so when her supposed killer is released, he becomes obsessed with making him dead. The catch is, Tom quickly figures out that maybe he’s not cut out to do the killing himself, and that’s where the book gets unique and interesting. I was expecting from the title and description to see a typical bad-ass main character chase down a killer around the country (or the world) and ultimately get his revenge. That is not at all the story we get, and yet, it is still thrilling. There is still violence and chase scenes, it’s just they aren’t the ones you usually see in a book like this. And that helps it. That helps keep the thrill level up, since it’s so much harder to predict what’s going to come next. Tom, with his weakness and inability to parent well, is almost an anti-hero, and yet we keep rooting for him because his grief for his wife is so powerful and relatable. It’s strong characterization and plotting mixed into one.
The scenes where Tom is seen teaching The Count of Monte Cristo at the community college where he works slow the thrill down. They feel a bit too aware of themselves, with comparison between The Count of Monte Cristo and the plot in this book. Plus scenes of classroom literary analysis simply slow the thrilling plot of the book down. The one scene where it really works is one scene in which Tom is freaking out about his own life so much that he fails at teaching well. This establishes that Tom’s life is starting to get out of control. Overall, though, there are just too many scenes of him teaching for a thriller.
The setting of Baltimore is interesting, and I was glad to see that it wasn’t set in the more stereotypical Washington D.C. Aymar writes Baltimore beautifully. I’ve never been there, but I truly felt as if I was there, seeing both the run-down aspects, as well as the beauty. I often end up skimming over setting descriptions, but Aymar’s drew me in.
The plot has just enough twists and turns to keep the reader guessing, but not so many that the reader feels jerked around. Also, the plot twists stay rooted in reality. I could truly see this happening in the real world, and that makes a thriller more thrilling.
Overall, this is a unique thriller, with its choice to cast the opposite of a bad-ass in the role of the main character. This grounds the typical revenge plot into reality, lends itself to more interesting, unique plot twists, and has the interesting aspect of a flawed, nearly anti-hero main character that the reader still roots for. Recommended to thriller fans looking for something different and those interested in first dipping their toe into the thriller genre.
4 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
John Perry joined the Colonial Defense Force on his 75th birthday. Americans aren’t allowed to be colonists in outer space, but they can defend the colonies in the outer space army. Old folks join for many reasons from boredom to having always wanted to see outer space, even though details of what goes on out there are kept secret from Earth. In spite of all the secrecy, the rumor is that those who join the CDF get to be young again, and who wouldn’t want a second chance at life?
Multiple friends have read this book and loved it, and of course I found the idea intriguing, who wouldn’t? So when a friend offered to loan me his copy, I took him up on it right away. I was not disappointed in the world Scalzi has created, it is endlessly fascinating, but the main character’s arc failed to be quite so interesting to me.
I can’t imagine how anyone would not find the basic premise of this book interesting. Outer space colonies that are kept a mystery from Earth. Only certain countries allowed to colonize (primarily those suffering from population overload). Top it off with a colonial army made entirely up of old people who supposedly get to be young again? Completely. Fascinating. And Scalzi really comes through on the science of all of this, the politics, and manages to have some surprises in there, in spite of the what seems to be very straight-forward book summary. And the world beyond the soldiers and the colonists is utterly fascinating as well. The aliens are incredibly creatively imagined, not just in their looks but in their cultures. They feel real. And that extends to the battles and spaceships as well. The worldbuilding here is phenomenal. It is an example of how scifi worlds should be built.
The main character, though, as well as his character development arc, fail to live up to the incredible worldbuilding. John Perry, from early on, is talented at war, in spite of having only been an advertising slogan writer for his whole life. He has no real life experience that would make one think he would be good at war. Additionally, even when he is doing battle, he’s kind of flat on the page. He doesn’t jump off as the leader he supposedly is supposed to naturally be. Other characters feel that way, but not John. In fact, I frequently found myself far more interested in the secondary characters around John than in John himself. I was willing to give this a bit of a pass since, well, the character has to live for us to continue to see the wars he’s fighting, and maybe Scalzi has a thing for unlikely heroes. But his character arc takes an odd turn at the end that really bothered me.
John meets a special forces woman who is in his dead wife’s body. Basically, his dead wife’s DNA was used as a base to build a genetically enhanced body. Ok, I’m fine with that, even if it seems unnecessary. But then John becomes obsessed with her, and she with him, even though she is very clearly NOT his wife. Then at the end, he asks her to move to a colonial farm with him when they retire. And she says yes. Whaaaaat?! This isn’t romance; this is gross! The special forces woman has as much in common with John’s wife as her sister would at this point, since they have messed with the DNA so much. This is like John pursuing his dead wife’s sister, who is emotionally only 6, since she was put into a fully adult body 6 years ago and had no life prior to that. It’s gross. It is not romantic. And I really think the reader is supposed to see it as romantic, when instead it squicked me out far more than any of the aliens in the book, including the ones with slimy appendages or the ones who eat humans.
Overall, this is an utterly fascinating scifi world with a bit of a ho-hum main character. The ending may disappoint some readers, and Scalzi’s politics can come through a bit obviously sometimes. However, those at all intrigued by the plot summary or interested in high quality scifi world building should check it out.
4 out of 5 stars
Book Review: The Walking Dead: The Fall of the Governor: Part One by Robert Kirkman and Jay Bonansinga (Series, #3) (Audiobook narrated by Fred Berman)
In the aftermath of her rebellion attempt against The Governor, Lilly Caul is starting to see him as a man who does what it takes to protect the citizens of Woodbury. So when strangers in riot gear and prison suits underneath show up at Woodbury, she believes The Governor that they’re out to get their supplies and that the woman, unprovoked, bit his ear. But not everyone believes The Governor, and The Governor starts to think he can use the doubters to his advantage.
This non-graphic novel series telling the backstory of the big bad villain of the graphic novel Walking Dead series started off incredibly strong but, unfortunately, each new entry in the series gets worse and worse. Instead of lending new light to the backstory of The Governor and Woodbury, this entry retells scenes readers of the graphic novel have already seen, simply from The Governor and other residents of Woodbury’s perspectives.
While I understand that some things readers of the graphic novel series already know may need to be briefly mentioned again for those who are only reading the print books, a sizable portion of this book features scenes already told once in the graphic novels. Many of these scenes were disturbing enough in the graphic novels, such as the scene in which Michonne is repeatedly raped and beaten by The Governor. Retelling them from the perspective of The Governor just felt unnecessary and was frankly difficult to listen to. It would have been better to have left out showing that scene again and instead showed the, well-told and well-done scene of The Governor after her rapes Michonne back in his apartment where he tries to rationalize his behavior. This lends new insight into the character without forcing the readers to, essentially, re-read.
The characterization of Lilly Caul continued to bother me. First she hates The Governor and leads a rebellion, then turns right around and becomes loyal to him? What? This makes zero sense and is never fleshed out enough to make sense. Similarly, how she handles one particular plot development feels like lazy, cliched writing of women, which bothered me.
Speaking of writing of women, while I understand that the third person narration is supposed to simultaneously be from an evil guy’s perspective, how the narrator talked about Michonne really bothered me. We are constantly reminded that she is black. She is never just “the woman” she is always “the black woman” or “the dark woman.” Her dreadlocks are mentioned constantly. Whereas white characters, Latino characters, and male characters are referred to once with descriptors about how they look, her looks are constantly described. I understand looks need to be described periodically, but this is far too heavy-handed and in such a way that it feels like the narrator feels it necessary to constantly remind the reader that she is “other” and “different from us.” Worse, she is also referred to as a “creature,” etc…, particularly during her rape scenes. I never felt Michonne was mishandled in the graphic novels. She’s a bad-ass woman who just happens to be black in the graphic novels. Here, though, the descriptions of her feel like they are exoticized, which feels entirely wrong for a book in which we mostly just see her being raped. She is depicted so animalistically, it made my stomach turn. Even when she is among her friends, the narrator feels it necessary to constantly refer to her otherness.
So what’s done well in this book? The scenes where we finally learn how the double-cross happens and see it plotted and carried out from the bad guys’ perspective is chilling and enlightening. It’s also really nice to get to actually see the scene where Michonne beats the crap out of The Governor. If other scenes had been left out, the characterization of Lilly Caul and descriptions of Michonne handled better, and the whole book tightened up (and probably part two included here), it could have been a strong book.
Overall, fans of the series will be disappointed by the repetition of scenes they’ve already seen and the overall shortness and lack of new information in this book. Some may be bothered both by how Michonne is presented in this book, far differently from how she is in the graphic novel series, as well as by seeing some of the rapes from The Governor’s perspective. Recommended to hard-core fans who feel they need to complete reading the companion series to the graphic novels.
2 out of 5 stars
Dominic Gray, ex-government worker, ex-military, and once professional jiu-jitsu fighter, is seeing a lull in his work as assistant to Professor Viktor Radek on private detective cases involving religious mysteries and the occult. He’s set up shop in New York City, teaching jiu-jitsu to inner-city youth. But when a high-ranking Satanist is murdered in front of his entire congregation by a mysterious figure who sets him on fire at a distance and then disappears himself, Dominic is quickly pulled into a new case with Viktor. High-ranking Satanists worldwide keep dying in the same, or similar, mysterious ways, and the odd thing is, it’s not the Christians doing it.
I’ve enjoyed this series from the very beginning. The combination of religious studies, private detectives, and international intrigue suck me in every time. This latest entry in the series does not fail to deliver, bringing once again the perfect combination of religious philosophy, mystery, and private detective intrigue.
This entry brings us back to the more mystical origins of the series. Rather than biomedicine as in the second book, what’s involved here is ancient occultism and what may or may not be magic tricks. I was happy to see this occult mysticism represented in the developed world this time, pointing out that it’s not just surviving in developing countries in modern times. The actual religion of Satanism is well explained and given room for both good-hearted followers and evil fanatics, just as may be seen in every religion. Green keeps an even hand when writing about religion, even when writing about Satanism, and that’s to be commended. A drop of mysticism is provided, and it’s left up to the reader to decide if it was science or magic ultimately responsible for the mysterious occurrences, which is ideal for this type of book.
The entwining of Viktor’s backstory with the mystery was well-done, and it was certainly time for the reader to learn more about Viktor. Unfortunately, I must say that Viktor’s backstory made me dislike him more than I had previously, but it certainly also helps form him into a more well-rounded character. There’s a delightful femme fatale, enshrouded in both beauty and mystery. Her ending, however, did feel a bit abrupt. Dominic goes very quickly from one opinion of her to another, and not enough known, factual information is provided for the reader to keep up with this. On the other hand, the ending was surprising and also made logical sense, and it also put the main characters in a frightful level of mortal danger. Exactly the kind of ending one looks for in this type of book.
Overall, the third entry in the series continues to deliver the private detective exploration of moral and mystical gray areas. Those who enjoyed the first entry in the series more than the second will be happy to see the return to the mysticism found in the first book. Those who enjoyed the science of the second will be glad to see the science of magic covered extensively in this entry. Recommended to fans of the series to pick it up as soon as possible.
4 out of 5 stars
Raptor Red is one of the utahraptors who’ve newly arrived in what will one day be the western United States. Follow a year of her life as faces being both a predator and, as one of the smaller predator dinosaurs, prey.
I love dinosaurs. Who doesn’t? When I saw that this book was written by a paleontologist, I immediately was intrigued. Who better to tell a story about dinosaurs than someone who studies them extensively? The book certainly presents a realistic view of dinosaurs based on science, but sometimes the story suffers as a result of the intense attention paid to science.
First I just want to say my absolute favorite part of the book is the beginning of each chapter. Each chapter beginning has a small note in the corner about what month it is, but more importantly, it has a hilarious drawing of a dinosaur (or a few) along with a tongue-in-cheek chapter title.
I wish that this ability to both present scientifically realistic dinosaurs and be humorous/cartoonish about them simultaneously had carried through to the writing. The overarching story that the book tells is sound. Raptor Red’s mate dies, and she reunites with her similarly widowed sister while simultaneously looking for a new mate. (This is not a spoiler, it is well-established in the first chapter). But the story on the sentence level is belabored by the author’s apparent need to couch everything in speculations. For instance, instead of just saying Raptor Red stamped her foot angrily, he’ll say something like Raptor Red was probably angry because she stamped her foot, and we know that dinosaurs stamping their foot indicated impatience, and if we believe that higher-thinking animals can feel emotions, then it was probably anger she was feeling. Passages like that really gum up the storytelling. The story would have worked better if he had some disclaimer at the beginning regarding emotions in animals, literary license, etc…, and then just ran with putting emotions on the extremely well-researched animal behavior.
The book teaches the reader a lot about dinosaurs in the context of the story, but the storytelling manner makes the reader get bogged down and realize they’re learning, instead of enjoying a story and happening to get some knowledge about dinosaurs in the process. The former makes for a tough read, in spite of enjoyable illustrations.
Overall, dinosaur enthusiasts will enjoy both the illustrations and the high level of science present in the story. Some may be frustrated by the author’s insistence on not personifying the dinosaurs, in spite of telling a very emotional story of being widowed and finding a new mate. Recommended primarily to those with a vested interest in reading everything dinosaur who won’t mind that the story sometimes suffers at the hands of science.
3 out of 5 stars