Archive

Posts Tagged ‘werewolves’

Giveaway: One Death at a Time by Thomas M. Hewlett (INTERNATIONAL)

June 27, 2014 2 comments

Man in a hat standing next to a Europeanish buildingThis giveaway is now over! Thank you all for entering!

It’s time for the fourth giveaway of 2014 here at Opinions of a Wolf.  Lots of the indie authors whose books I accepted for review in 2014 also were interested in me hosting a giveaway at the time of my review, so there will be plenty more coming up in the future too.

There are TWO ebook versions of One Death at a Time (review) available courtesy of the author, Thomas M. Hewlett!

What You’ll Win:  One ebook copy of One Death at a Time by Thomas M. Hewlett

How to Enter:  Leave a comment on this post stating what profession you think might secretly have a lot of vampires among its ranks.

Who Can Enter: INTERNATIONAL

Contest Ends: July 11th.  Two weeks from today!

Disclaimer: The winners will have their ebook sent to them by the author.  The blogger is not responsible for sending the book.

Book Review: One Death at a Time by Thomas M. Hewlett (Series, #1)

June 26, 2014 6 comments

Man in a hat standing next to a Europeanish buildingSummary:
Jack Strayhorn is a private eye and a member of Alcoholic’s Anonymous.  Only, he’s not an alcoholic, he’s one of the vampires who meet in a secret vampire group that exists under the umbrella of AA to learn how to control their urges and feed on humans without killing them.  He’s just returned to LA, his death site that he hasn’t been back to since he had to run in 1948 after becoming a vampire.  When his current missing person case shows up dead next to a Fae politician, Jack gets dragged into a mixed-up underworld of Faes, werewolves, drugs, and a group of vampires determined to rule the world.

Review:
This is one of the twelve indie books I accepted to be reviewed on my blog in 2014 (complete list).  I was immediately intrigued by the summary, due to its delightful urban fantasy/paranormal take on AA.  The book delivers exactly what it promises, spiced with a noir writing style.

Jack Strayhorn is the perfect paranormal version of the noir-style hardboiled detective.  He’s got a biting, snarky wit, a handsome presence, a sharp mind, and is a bit distant and mysterious.  It’s just in this case he’s distant and mysterious because he’s a vampire.  Making the private eye a vampire makes his character unique in noir, and, similarly, making the vampire a private eye with his focus primarily on crime solving and not paranormal politics gives the urban fantasy vampire a unique twist.  Jack is presented as a complex character, one who we could not possibly get to know fully in just the first entry in the series.  It’s easy to see how he will manage to carry the proposed 12 entries in the series.

Supporting Jack is a wide range of characters who accurately portray the diversity in a large town like LA, as well as the diversity one expects in a paranormal world.  The characters are multiple races and classes.  Whereas some urban fantasy books slowly reveal the presence of more and more paranormal races throughout the series, this book starts out with quite a few, and that is a nice change of pace.  Most urban fantasy readers expect there to be more than just vampires, and the book meets the urban fantasy reader where they’re at.  Even though the book has a large cast, the secondary characters never blend together.  They are easily remembered, and the diversity probably helps with that.

I like the idea of vampires having an AA-like group, but I’m still not sure how I feel about this group existing as some secret under the umbrella of AA itself.  The book even goes so far as to say the the founder of AA was a vampire himself, and used the human illness of alcoholism as a cover for the vampire group.  I like and appreciate vampirism as a disease that some people just mysteriously have at birth as an analogy for alcoholism, but I feel that having it present in the same group as the real life AA groups dampens the realness of actual AA, weakening the analogy instead of strengthening it.  I’ve seen books before have paranormal people get together in AA-style groups (zombies anonymous springs to mind), and in real life AA has spinoffs such as Narcotics Anonymous and Overeaters Anonymous.  Prior to reading the book I thought maybe something might be added by having the vampires be a secret organization under AA, but after reading the book, I don’t think it did.  I think the analogy would have been stronger if vampires spotted the similarities of their genetic vampirism with alcoholism and formed a “vampires anonymous” group, inspired by AA.  Something about vampires creating AA themselves as a cover hits a bit of a sour note and weakens the analogy.

The plot is complex, with just enough twists and surprises.  There were parts of the ending that I was unable to predict.  The plot contained within the book was wrapped up sufficiently, and the overarching plot intending to cover the whole series was well-established and filled me with the desire to keep reading.  Unfortunately, the second book isn’t out yet, so I will just have to wait!

Overall, this is a delightful mix of urban fantasy and noir and is a strong first entry for a new series.  Some readers might dislike the paranormal take on Alcoholic’s Anonymous found within the book, but it is secondary to the mystery/noir plot and easy to gloss over if necessary.  Recommended to urban fantasy readers looking to venture into noir or vice versa, as well as anyone who enjoys both urban fantasy and noir.

4 out of 5 stars

Source: kindle copy from author in exchange for my honest review

Buy It

Series Review: Sookie Stackhouse / Southern Vampire Mysteries Series by Charlaine Harris

March 7, 2014 6 comments

Introduction:
I post series reviews after completing reading an entire series of books.  It gives me a chance to reflect on and analyze the series as a whole.  These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another.  Please be aware that series reviews necessarily contain some spoilers.

Man in cloak floating in the airSummary:
Sookie Stackhouse is a waitress in the rural town of Bon Temps, Louisiana, and she has a secret.  She’s a telepath, and it’s ostracized her from most of the people in her town.  But when vampires come out of the coffin, Sookie discovers that she can’t read their minds.  Mind reading made her dating life non-existent, for obvious reasons, but with vampires, Sookie can feel somewhat normal.  She soon starts to get pulled into their supernatural world, which contains more than they’re letting on to the mainstream public.

Review:
I first want to make it very clear that this series review is talking exclusively about the books and not the tv show inspired by them, True Blood.  There will be no spoilers for the show and no comparisons between the books and the show.  The show diverged very quickly from the books, so I think it’s fair to keep discussion of the two separate.  Moving right along!

coverclubdeadThis series takes the mystery series whodunit in the vein of Agatha Christie and drenches it in the supernatural and the American south, utilizing it to tell the overarching story of one woman choosing who she wants to be.  Perhaps because of the presence of some handsome leading men and the occasional sex scene, some mistake the series for a romance one.  But this series is truly not a romance.  Sookie’s romantic life (and sex life) is really secondary to the mysteries she solves and her slow discovery of who she is and who she wants to be.

The whodunit plots are generally murder mysteries.  The violence is moderate.  If you can handle a vampire biting someone or knowing someone is being beheaded without actually getting the gore described to you, you can handle the violence in this series.  The whodunit plots start out engaging but gradually become more repetitive and ho-hum, almost as if the author was running out of ideas for situations to place Sookie in.  Similarly, Sookie gets kidnapped and has to get saved by her supernatural friends kind of a lot.

coverdeadasadoornailThe setting of a supernatural American south is well imagined and evoked.  Both small town, rural lives and larger southern cities like Dallas and New Orleans are touched upon.  The American north is visited once, however, Sookie has a strong aversion to northern women that sours the representation of the north in the book.

The characters can sometimes feel like overwrought caricatures.  While some characters are given depth, most are not.  This is odd, since Sookie can read minds.  one would assume that she, as the first person narrator, would have a very three-dimensional view of those around her.  And yet she doesn’t.  Sookie likes to say that she’s for equality and seeing the good in everyone but she actually judges people very harshly.  For instance, she thinks it’s a shame that women who are not virgins wear white wedding dresses.

Sookie’s character does develop, albeit minimally, over the course of the books.  Characters should grow and change, coveralltogetherdeadparticularly over the course of 13 books, but unfortunately Sookie’s character changes to become less and less likable.  This is extra frustrating when the book is told from her perspective.  Instead of becoming more powerful and strong (emotionally, mentally) over the course of the series, Sookie becomes less and less able to handle the things going on around her.  She also continues to act shocked and appalled at the wars and violence she doesn’t just see, but participates in, in spite of it now being a normal part of her life.  Perhaps if she was just repeatedly a victim this mentality would make sense, but Sookie enacts violence on those around her and then acts disgusted at what the vampires/werewolves/etc… do, which comes off as hypocritical.  Either own your own actions and validate their necessity or stop doing them.  Don’t do certain violent actions then deny your involvement while simultaneously judging others for doing precisely what you just did.  The fact that Sookie slowly becomes this hypocritical person makes her less and less likable.  Similarly, she starts out the books with a firm belief in social justice and equality for supes but over the course of the series clearly comes to believe that humans are better than supes.  I don’t blame her for wanting a quiet life or for wanting to stay human or wanting to have babies but she could have Blonde woman in blue standing between two pale men in black capes.done all of those things without coming to view supes as inferior.  It is frustrating for the reader to have a main character in an almost cozy style mystery series gradually change into someone it is difficult to empathize with.

There is a consistent presence of GLBTQ characters, albeit mostly in secondary roles, throughout the series.  Homophobia is depicted in an extremely negative light since only the bad guys ever exhibit it.  Unfortunately, there is an instance of bi erasure in the book.  One of the characters is identified as gay but everyone also acknowledges that he periodically sleeps with women.  Even the character himself calls himself gay, so this isn’t just a case of the author writing a realistic amount of the realities of bi erasure into the book.

The sex in the book is not well-written.  It is just awkward, cringe-inducing, and laughable most of the time.  But the sex scenes aren’t very often, and they do fit in with the rest of the book.  Just don’t go to this series looking to get really turned Cartoon drawing of a blonde woman in a green dress upside down with burning paper near her.on.

This sounds like a lot of criticism for the series but some of these things, such as the campy, two-dimensional characters, are part of what makes the series enjoyable.  It’s kitschy, not to be taken too seriously.  It’s a series to come to and read precisely to laugh and roll your eyes.  To be utterly bemused at the sheer number of supernatural creatures and the ridiculousness of how they organize themselves.  To sigh in frustration at Sookie as she gets kidnapped yet again or is oblivious yet again to who the murderer is.  It’s a series that’s candy for those who enjoy camp and not too much violence with a touch of the supernatural in their mysteries.

3.5 out of 5 stars

A blonde woman stands among flowers and tomatoes with the sun either setting or rising behind her.Source: Amazon, PaperBackSwap, and Audible

Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review
Dead Ever After, review

Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)

March 5, 2014 5 comments

A blonde woman stands among flowers and tomatoes with the sun either setting or rising behind her.Summary:
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma.  On top of this, someone is out to frame Sookie for murder, and they just might succeed.  Sookie even gets arrested and must be bailed out of prison.  Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.

Review:
You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood.  The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life.  Whether or not that’s the story readers wanted to hear, it is the story that gets told.

It becomes abundantly clear early in this book that Sookie has had it with the supernatural world.  At least, with pure supes.  She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires.  Anyone who she feels has no humanity, she is done with.  As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans.  Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world.  I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced.  That part of Sookie’s character arc makes me sad.  She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change.  It’s sad.  But, it is an actual character arc, and it makes sense within who Sookie is as a character.  Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world.  But it is a well-written character arc that makes sense.

The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense.  The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia.  Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.

The boyfriend situation.  Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written.  The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me.  Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much.  Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.

One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about.  I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had.  In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does.  Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view.  It reads odd, not ominous.

The audiobook narrator, Johanna Parker, took an odd turn with this book.  Her voice reads as an old woman periodically, which doesn’t suit who Sookie is.  I was disappointed, after her very good narration of books 12 and 11.

Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her.  Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for.  However, this book series has always been about Sookie.  It is told in her voice and is about her life.  Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told.  Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.

4 out of 5 stars

Source: Audible

Buy It

Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review

Book Review: Deadlocked by Charlaine Harris (Series, #12) (Audiobook narrated by Johanna Parker)

March 4, 2014 2 comments

Cartoon drawing of a blonde woman in a triangle of light coming from a small object.

Summary:
Sookie now has to deal with the fall-out of her, Eric, and Pam’s successful plot to kill Victor.  And that means entertaining the vampire King of Louisiana.  The very first party they host for the King ends with a dead half-shifter girl on the lawn.  Meanwhile, Sookie finds out just why Eric has been seeming distant lately, and it might be too much for them to overcome.  On top of all this, Sookie has to keep track of and protect the fairie present given to her grandmother, the cluviel dor.

Review:
The penultimate book in the Sookie Stackhouse series has a lot of big reveals, as one would expect.  The big reveals at the heart of Sookie’s overarching story make sense and are well-played, although the central mystery of this entry feels a bit ho-hum.

The cluviel dor felt a bit like a deus ex machina from the instant the concept was introduced in book 11.  To a certain extent, a powerful magical object that grants one wish will always feel like a deus ex machina, no matter how it is ultimately used.  However, of the many options for the use of the wish, I think that how Sooie ultimately uses it is the least like a deus ex machina that it could be.  The world is not torn asunder. The events of prior books aren’t canceled out.  The instant in which she uses it makes sense, feels real, and is understandable.  It reveals a plot point that may irritate some readers, particularly big fans of Eric, but it’s not a development that doesn’t fit in with the characters and world.  Meaning that the cluviel dor is not used as a love spell or to undo the existence of vampires or some such nonsense.  Those nervous about what would happen with it should rest easy and continue reading the series.  You won’t have the rug pulled out from under you.

The central mystery feels kind of repetitive.  There’s a dead body, and everyone must figure out what happened.  Similarly, Sookie continues to refuse to learn anything from the multiple supernatural situations she has found herself in.  She continues to make incredibly dumb mistakes that make it hard to root for her.

The depiction of the vampires, fairies, and werewolves continues on an ever more negative spiral.  The good supes are few and far between, whereas humanity is depicted as something to strive for.  For instance, having mercy on someone is seen as having humanity, as opposed to just having mercy.  One of the things I liked at the beginning of the series was the ambiguity of the supes.  Having Sookie feel increasingly negative toward them all is a bit sad.

That said, the book definitely moves the plot forward in a logical way.  Many loose ends are addressed and answers given.  Plus there is at least one big final question left for the last book in the series.

Overall, if you’ve stuck with the series this far, you should definitely keep reading.  The penultimate book answers some question and continues to flesh out the version of Bon Temps in Harris’s mind.

4 out of 5 stars

Source: Audible

Buy It

Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review

Book Review: The Curse of the Wendigo by Rick Yancey (Audiobook narrated by Steven Boyer) (Series, #2)

April 11, 2013 3 comments

Black silhouette of birds and trees against a moon and a red background with a face just discernible in it.Summary:
Will Henry, 12 year old orphan and assistant to renowned Monstrumologist, Pellinore Warthrop, is shocked to find a refined woman on Warthrop’s doorstep.  She is the wife of Warthrop’s best friend who has now gone missing in rural Canada while looking for the elusive wendigo (aka werewolf).  Warthrop insists that there is no such thing as a wendigo, but he agrees to go looking for his missing friend anyway, even if he believes his mission was ridiculous and an affront to monstrumology’s reputation.

Review:
I can’t believe it took me this long to get to the sequel of one of my rare 5 star reads, The Monstrumologist.  I gave my dad a copy of The Monstrumologist for his birthday, and his enthusiasm for the series brought my own back to me, so I joined in with him to read through it.  I had a bunch of credits stacked up on Audible, so I went with the audiobook versions.  My speedy father reading in print quickly outpaced me, but that’s ok.  I’m really enjoying the audiobooks, although I’m sure I will be reading the final book in the series in the fall when it comes out on my kindle. Can’t wait around for the audiobook!  All of which is to say, my enthusiasm for the series remains high, if not steady, and the audiobooks are just as enjoyable as the print.

Yancey does something brave for a second book in the series.  Instead of following the formula that worked so well in the first book and basically doing a monster-of-the-week-in-our-town method like Buffy and so many other urban fantasies, he changes things up.  There is a monster, yes, but it is entirely different from the first one.  This is a monster that might not even exist, unlike the anthropophagi in the first book who are almost immediately clearly real.  Additionally, Warthrop and Will must travel away from New England to go looking for the trouble.  It does not come to them.  Another good plot twist is that the story does not entirely take place in Canada.  It moves to New York City.  Thus we get both the dangers of the wilderness and the dangers of the city in one book.  These plot choices mean that what makes this series a series is the characters, not the fantastical nature of their world.  By the end of the book I was thinking of the series in terms of the relationship between Will and Warthrop, not in the context of what nasty beast we might meet next.  It thus does what great genre fiction should do.  It looks at a real life issue and dresses it up with some genre fun.  And the issues addressed here are big ones.  What is love and what should we be willing to sacrifice for it?  Is it more loving to stay with someone at all costs or to let them go to protect them?  At what point do you give up on someone?

The horror certainly felt more grotesque this time around, although it’s possible I just wasn’t remembering the anthropophagi that well.  This is a bloody book full of horrible things.  Precisely what I expect out of my genre.  There’s not much more to say about the horror than keep it up, Yancey.  Also that this might not be for you if blood and guts and profanity are not your thing.  But they *are* mine and, oh, how well they are done here.

Just as with the first book, the language Yancey uses is beautiful.  It’s rich, eloquent, visual, and decadent.  It’s a word-lover’s book.  An example:

But love has more than one face. And the yellow eye is not the only eye. There can be no desolation without abundance. And the voice of the beast is not the only voice that rides upon the high wind….It is always there. Like the hunger that can’t be satisfied, though the tiniest sip is more satisfying than the most sumptuous of feasts.

Stunning.

The characterization here remains strong for Will and grows much stronger for Warthrop.  Will grows and changes as a 12 year old in this time period in his particular situation would be expected to.  With Warthrop, though, we get a much clearer backstory and motivations for his actions.  In the first book we came to know Will.  In this one we come to know Warthrop, although Will is not left without any development.  It’s a good balance.  I also enjoyed the addition of two female characters, who I thought were well-written, particularly Lily, the budding young feminist determined to be the world’s first female monstrumologist.  She is truly three-dimensional in spite of her rather limited screen-time compared to Will.

The pacing doesn’t build steadily from beginning to end.  It rather builds to a first climax, comes back down and builds again to a second climax.  This makes sense, particularly in a werewolf book, but I must admit it felt a bit odd in the moment.  It almost felt like reading two books in one until it all came together in the end.  In fact, this is one of those books that gets better the more you look back on the story as a whole.  Be prepared to enjoy it more in retrospect that in the first reading.

The audiobook narrator, Boyer, has a tough book to work with.  There are a wide range of characters of multiple nationalities to act out (Canadian, German, French, New York, Massachusetts, etc…).  Additionally, at least three different languages are spoken (English, French, and German).  I’m not fluent in anything but English, but I did take German in university, and I can say that his German accent is at least passable.  He also does an excellent job creating a unique voice for each character.  I only rarely got lost, and that was generally due to rapid-fire conversation where each character only had a word or two.  I must say, though, that he does mispronounce a few words, which detracts from Yancey’s gorgeous writing.  I blame the audiobook director for this, though.  S/he should have realized and corrected this.  Overall, though, the mispronounced words are only in a couple of locations and do not deeply affect the reading of the book.

Overall this is an excellent follow-up to a remarkable first book in the series.  It brings to the table that which made the first so powerful: YA horror with rich language set in a historic time period.  But it also changes things up enough to avoid falling into the monster-of-the-week trap.  The entries in the series are part of a larger story, and that can be seen.  Fans of the first book should pick up the second book asap.

5 out of 5 stars

Source: Audible

Buy It

Previous Books in Series
The Monstrumologist, review

Book Review: Above Ground by A. M. Harte (Series, #1)

November 28, 2012 4 comments

Yellowish moon seen through the trees.Summary:
Lilith Grey has spent her entire life living below ground–among the lucky descendants of the humans who escaped there before catching the virus that turned the rest of humanity into monsters from fairy tales.  But one day Lilith and her friend Emma get temporary vaccines and go above ground to a tourist theater to view these vampires and shapeshifters in person.  When everything goes horribly wrong, Lilith finds herself whisked away from the carnage on the back of a werewolf.  Can she ever get back below ground?

Review:
I was hesitant to accept a YA book for review, since the genre is not one I tend to enjoy.  But I had previously read and thoroughly enjoyed a book by this indie author, so I decided to give it a go.  Her other work, Hungry For You, is a collection of zombie themed short stories that manages to put a fresh twist on that genre, so I was hoping for more of that unique glint in her YA work as well.  This, her first full-length novel, is more unique than what is currently saturating the market, but I did not feel that it lived up to the expectations I had based on her short story collection.

The basic concept is intriguing.  Many post-apocalyptic stories feature humans living in bomb shelters or other similar underground enclosures but not for the reasons put forth in this novel.  This unique twist is what I’ve come to expect from Harte’s writing, and it definitely was the part of the story that kept me reading.  Seeing how the mutated humans lived above ground versus how the non-mutated lived below ground was intriguing and interesting.  I wish more time had been spent building this world and less on the emotions of the main character (not to mention her friend, Emma, and the werewolf, Silver).  The scifi explanations for the fantastical creatures was also engaging, but again not enough time was spent on it.  Similarly, while the typical werewolves and vampires exist among the infected above ground, there are also the more unique such as the ewtes who mutated to live in the water but can walk on the ground with water tanks.  Actually, I could have easily spent an entire book among the ewtes.  They were far more interesting than our stereotypical main character Lilith.  The world and minor characters are what kept me reading….not the plot or main characters.

The initial plot set-up is painfully stereotypical.  Clueless teenage girls wind up in danger. Two men save them. One is an angst-ridden werewolf. The other is a mysterious, handsome intelligent fella.  The girls protest they can care for themselves but the reader can see they can’t really. The main teenage girl feels inexplicably pulled to the werewolf angst man. The werewolf angst man feels drawn to the teenage girl and angsts about it. And on we go.  The last few pages of plot, thankfully, didn’t take the typical turn, but honestly the pay-off was incredibly minor compared to the rest of the stereotypical YA plot.  Even just making it a teenage boy from below ground saved by a female werewolf would have been a change enough to make me more interested.  I also was disappointed to see no depth or examination of the human condition here, which I saw in Harte’s previous work.  I was excited to see what depth she could bring to YA but she didn’t even bring an empowered female main character to the genre.  Quite disappointing.

Ignoring my own quips with the plot and main characters, the book simply does not read like a solid first entry in a series.  It gives the reader mere tastes of what we want to know from a first book in a series, like who the DEI are and why everyone is afraid of them, while lingering on things like how the main character craves the werewolf.  That is fine if it was a paranormal romance, but it feels more like it is meant to be a post-apocalyptic/dystopian style novel.  A clearer world needs to be established and characters more fully fleshed-out if they are to hold up a whole series.   There has to be a clear world and a three-dimensional main character set up before the danger if the reader is to feel any connection or caring at all.  As it is, I mostly just wanted to wander off and follow the ewtes.

Overall, then, this is definitely a book for YA fans only.  It’s the basic plot from YA with a twist set in a unique future world that was fun to visit.  YA fans will have to try it out for themselves to determine how much they will enjoy that visit.

3 out of 5 stars

Source: Kindle copy received from author in exchange for my honest review

Buy It

Giveaway! The author is running a giveaway along with her month long blog tour.  Check out the rafflecopter for details!

 

Follow

Get every new post delivered to your Inbox.

Join 923 other followers